Acknowledgments  ix

Introduction. Photo-Trajectory  1

1. The Moving Lens: Abiding Concerns and Photographic Projects  49

2. Engaging Photography: Between the Aesthetic and the Documentary  119

3. Eye Witness: On Photography and Historiography  167

4. Just Regard: On Photography, Aesthetics, and Ethics  217

5. The Practice of Photography: Toward a Polity of the Planet  264

Notes  315

Bibliography  341

Index  351

“Through exhaustive research on Salgado's work, Nair raises critical questions on ethics, politics, history, photography, and aesthetics. . . . Particularly poignant are the intimate conversations among Nair, Salgado, and his wife, Lélia, which add tremendous clarity to Salgado's worldview. Highly recommended for fans of Salgado's work and for those interested in photojournalism, documentary photography, and global humanitarian issues.”—Shauna Frischkorn, Library Journal

“[A]dvance[s] a perceptive, penetrating understanding of social and natural discord encoded in the photographs.”—Giovanna L. Costantini, Leonardo Reviews

“[T]his treatise is useful for its focus on Salgado and its contribution to the search for answers about the ongoing presence of what often seems an unsolvable but significant concern. Nair's book highlights another central core within Salgado's ongoing visual investigation: the varying relationship(s) between humans and the land. . . . Recommended. Lower-level undergraduates and above; general readers.”— C. Chiarenza, Choice

“This work constitutes, to my knowledge, the first book-length study of the Brazilian documentarist’s work, and as such it represents a significant contribution to Latin American scholarship on photography and beyond—to visual cultural studies writ large. The author effortlessly ranges across aesthetic theory, Latin American historiography, and postcolonial criticism, as well as theories of photography, in addressing her subject.” —Jorge Coronado, The Americas

“One need not be familiar with photographer Sebastião Salgado in order to uncover something innovative about visual studies within Parvati Nair’s biography. . . . . Nair effectively compares and contrasts Salgado to other influential photographers across time and place . . . while at the same time confronting both his detractors and fans through a theoretical lens.”—Bree Akesson, Visual Studies

“The importance of Salgado as a photographer is indisputable, he is the curator of chiaroscuro, and it is remarkable that Parvati Nair’s A Different Light is the first full-length study of him to appear in print. Her book offers an interdisciplinary overview of his work.”—Sean Sheehan, Dublin Review of Books

“Through exhaustive research on Salgado's work, Nair raises critical questions on ethics, politics, history, photography, and aesthetics. . . . Particularly poignant are the intimate conversations among Nair, Salgado, and his wife, Lélia, which add tremendous clarity to Salgado's worldview. Highly recommended for fans of Salgado's work and for those interested in photojournalism, documentary photography, and global humanitarian issues.”—Shauna Frischkorn, Library Journal

“[A]dvance[s] a perceptive, penetrating understanding of social and natural discord encoded in the photographs.”—Giovanna L. Costantini, Leonardo Reviews

“[T]his treatise is useful for its focus on Salgado and its contribution to the search for answers about the ongoing presence of what often seems an unsolvable but significant concern. Nair's book highlights another central core within Salgado's ongoing visual investigation: the varying relationship(s) between humans and the land. . . . Recommended. Lower-level undergraduates and above; general readers.”— C. Chiarenza, Choice

“This work constitutes, to my knowledge, the first book-length study of the Brazilian documentarist’s work, and as such it represents a significant contribution to Latin American scholarship on photography and beyond—to visual cultural studies writ large. The author effortlessly ranges across aesthetic theory, Latin American historiography, and postcolonial criticism, as well as theories of photography, in addressing her subject.” —Jorge Coronado, The Americas

“One need not be familiar with photographer Sebastião Salgado in order to uncover something innovative about visual studies within Parvati Nair’s biography. . . . . Nair effectively compares and contrasts Salgado to other influential photographers across time and place . . . while at the same time confronting both his detractors and fans through a theoretical lens.”—Bree Akesson, Visual Studies

“The importance of Salgado as a photographer is indisputable, he is the curator of chiaroscuro, and it is remarkable that Parvati Nair’s A Different Light is the first full-length study of him to appear in print. Her book offers an interdisciplinary overview of his work.”—Sean Sheehan, Dublin Review of Books

“An excellent study! Parvati Nair simultaneously places the work of Sebastião Salgado within broader contexts and illuminates contemporary debates on aesthetics, ethics, and photodocumentary, with welcome emphasis on perspectives from the Global South. A must-read for all those concerned with photographs as visible evidence.”—Liz Wells, Plymouth University, United Kingdom

“A superb book on the most important photographer in the world today, A Different Light cuts a very wide swath: critical photojournalism, humanitarian documentation, political aesthetics, visual epistemology and historiography, representational theory, documentary ethics, the colonial gaze, the Frankfurt School, Latin America, Africa, the place of still photography in a rapidly moving world, ecology, art, profit, and concern. This is the book that the photography of Sebastião Salgado deserves.”—John Mraz, author of Looking for Mexico: Modern Visual Culture and National Identity

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