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  • Architecture in Translation: Germany, Turkey, and the Modern House

    Author(s): Esra Akcan
    Published: 2012
    Pages: 408
    Illustrations: 143 illustrations
  • Paperback: $24.95 - In Stock
    978-0-8223-5308-9
  • Cloth: $89.95 - In Stock
    978-0-8223-5294-5
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  • Acknowledgments  ix
    Introduction. Modernity in Translation  1
    Translation beyond Language  6
    The Theoretical Possibility or Impossibility of Translation  9
    Appropriating and Foreignizing Translations  15
    The Historical Unevenness of Translation  17
    The Ubiquity of Hybrids and the Scarcity of Cosmopolitan Ethics  21
    1. Modernism From Above: A Conviction about Its Own Translatability  27
    New City: Traveling Garden City  30
    New House: Representative Affinities  52
    New Housing: The Ideal Life  76
    From Ankara to the Whole Nation: Translatability from Above and Below  93
    2. Melancholy in Translation  101
    The Melancholy of Istanbul  107
    A Journey to the West  119
    The Birth of the "Modern Turkish House"  133
    3. Siedlung in Subaltern Exile  145
    Siedlung and the Metropolis  148
    Siedlung and the Generic Rational Dwelling  175
    Siedlung and the Subaltern  195
    4. Convictions about Untranslatability  215
    Untranslatable Culture and Translatable Civilization  215
    "The Original"  218
    Against Translation? The National House and Siedlung  233
    5. Toward a Cosmopolitan Architecture  247
    Ex Oriente Lux  249
    Melancholy of the East  252
    Weltarchitektur—Translation of a Treatise  263
    Toward Another Cosmopolitan Ethics in Architecture  277
    Epilogue  283
    Notes  291
    Bibliography  337
    Sources of Illustrations  375
    Index  383
  • “While Architecture in Translation constitutes clearly a ‘next step’ in scholarly works that examine the histories of the Turkish nation’s architectural and planning projects, it is also an ideal ‘first step’ toward analyzing more critically the dynamics of interaction and exchange that we today otherwise generalize under terms like modernization, globalization, or development. Charting the origins, diffusions, and transformations of ideas, approaches, and key actors through multiple historical and geographic contexts, Akcan’s book also emerges as a most readable and thoughtful history of ideas.” —Kyle T. Evered, Comparative Studies of South Asia, Africa and the Middle East

    Reviews

  • “While Architecture in Translation constitutes clearly a ‘next step’ in scholarly works that examine the histories of the Turkish nation’s architectural and planning projects, it is also an ideal ‘first step’ toward analyzing more critically the dynamics of interaction and exchange that we today otherwise generalize under terms like modernization, globalization, or development. Charting the origins, diffusions, and transformations of ideas, approaches, and key actors through multiple historical and geographic contexts, Akcan’s book also emerges as a most readable and thoughtful history of ideas.” —Kyle T. Evered, Comparative Studies of South Asia, Africa and the Middle East

  • "This study is seminal on two counts: it analyzes the relatively new concept of cultural translation, and it affords the reader an extremely interesting account of the evolution of Kemalist cultural policies."—Kenneth Frampton, author of Form Material Assembly: The Work of Francis-Jones Morehen Thorp

    "Tracing the surprisingly intertwined twentieth-century histories of German and Turkish residential housing and urban planning from the garden city via the urban Siedlung to the national house, Esra Akcan brilliantly deploys lingual translation theory as a flexible template to analyze zones of asymmetrical exchange in architecture and urban planning. Architecture in Translation moves compellingly beyond modernist universalism and nationalist regionalism toward a cosmopolitan ethics as a goal for a global architecture."—Andreas Huyssen, editor of Other Cities, Other Worlds: Urban Imaginaries in a Globalizing Age

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  • Description

    In Architecture in Translation, Esra Akcan offers a way to understand the global circulation of culture that extends the notion of translation beyond language to visual fields. She shows how members of the ruling Kemalist elite in Turkey further aligned themselves with Europe by choosing German-speaking architects to oversee much of the design of modern cities. Focusing on the period from the 1920s through the 1950s, Akcan traces the geographical circulation of modern residential models, including the garden city—which emphasized green spaces separating low-density neighborhoods of houses surrounded by gardens—and mass housing built first for the working-class residents in industrial cities and, later, more broadly for mixed-income residents. She shows how the concept of translation—the process of change that occurs with transportation of people, ideas, technology, information, and images from one or more countries to another—allows for consideration of the sociopolitical context and agency of all parties in cultural exchanges. Moving beyond the indistinct concepts of hybrid and transculturation and avoiding passive metaphors such as import, influence, or transfer, translation offers a new approach relevant to many disciplines. Akcan advocates a commitment to a new culture of translatability from below for a truly cosmopolitan ethics in a globalizing world.

    About The Author(s)

    Esra Akcan is Assistant Professor of Art History at the University of Illinois, Chicago. She is the author of (Land)Fill Istanbul: Twelve Scenarios for a Global City.
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