Like this title? Start a Reading List with others like it!
“[The book] is important for archivists to read essays such as we find in Archive Stories because they bring new life and provide new perspectives on the most fundamental questions challenging archivists today.” —Richard J. Cox, The American Archivist
“The readership of a book like this will remain confined to academia. . . and that is a shame. The themes meditated on here, and the desire to explicitly connect historical methodology with issues of public importance and debate, deserve not only the serious and well-considered professional discussion they are given in this anthology, but also a wider public airing.”—Eva-Maria Swidler, World History Connected
“Burton has performed a service to the fields she covers, but mainly to the grand goal that I believe
nearly everyone who engages in research is initially enamored of: the pursuit and expansion of knowledge. With this fine compilation of perspectives and ideas, connected throughout by threads of common and uncommon understanding, Burton enables us to increase our understanding of the nature of historical research.”— John B. Wolford, Oral History Review
“[T]he essays are thought-provoking. . . . [and] provide an entertaining read. . . . [T]hey spur the reader to think more abstractly about how their own experiences relate to the process of writing history. Indeed, the collection offers good fodder for discussions of historiography and historical method.”—Cathleen D. Cahill, Journal of Anthropological Research
“[T]he essays are thoughtful and nuanced, and a pleasure to read.”—Mark Allen Greene, Biography
“These eighteen carefully selected essays elucidate both the personal and the political aspects of historians’ experiences working in archives around the world. . . . Archive Stories is highly recommended to any intelligent reader interested in history, and the ‘history of writing history.’”—Cilla Golas, Journal for the Society of North Carolina Archivists
“These insightful and engaging essays will be useful to anyone who works in archives, on either side of the desk. . . . Professors of library and information science will want to draw from this anthology for courses on archival management. . . . Upper-level history majors and first-year graduate students would benefit from a close reading of the entire volume.”—Elizabeth Bramm Dunn, Historical Methods
“[T]he greatest strength of Archive Stories . . . [is] the stories themselves and what they tell us about the capacity of archival documents—however we choose to define them—to engage the human imagination in unpredictable and subversive ways. All of the stories are exercises in reading archives against the grain. What the narratives that unfold from the readings ultimately reveal are the myriad, complex, and contradictory versions of the past that are capable of being constructed from those archives.”—Heather MacNeil, Journal of Archival Organization
“[The book] is important for archivists to read essays such as we find in Archive Stories because they bring new life and provide new perspectives on the most fundamental questions challenging archivists today.” —Richard J. Cox, The American Archivist
“The readership of a book like this will remain confined to academia. . . and that is a shame. The themes meditated on here, and the desire to explicitly connect historical methodology with issues of public importance and debate, deserve not only the serious and well-considered professional discussion they are given in this anthology, but also a wider public airing.”—Eva-Maria Swidler, World History Connected
“Burton has performed a service to the fields she covers, but mainly to the grand goal that I believe
nearly everyone who engages in research is initially enamored of: the pursuit and expansion of knowledge. With this fine compilation of perspectives and ideas, connected throughout by threads of common and uncommon understanding, Burton enables us to increase our understanding of the nature of historical research.”— John B. Wolford, Oral History Review
“[T]he essays are thought-provoking. . . . [and] provide an entertaining read. . . . [T]hey spur the reader to think more abstractly about how their own experiences relate to the process of writing history. Indeed, the collection offers good fodder for discussions of historiography and historical method.”—Cathleen D. Cahill, Journal of Anthropological Research
“[T]he essays are thoughtful and nuanced, and a pleasure to read.”—Mark Allen Greene, Biography
“These eighteen carefully selected essays elucidate both the personal and the political aspects of historians’ experiences working in archives around the world. . . . Archive Stories is highly recommended to any intelligent reader interested in history, and the ‘history of writing history.’”—Cilla Golas, Journal for the Society of North Carolina Archivists
“These insightful and engaging essays will be useful to anyone who works in archives, on either side of the desk. . . . Professors of library and information science will want to draw from this anthology for courses on archival management. . . . Upper-level history majors and first-year graduate students would benefit from a close reading of the entire volume.”—Elizabeth Bramm Dunn, Historical Methods
“[T]he greatest strength of Archive Stories . . . [is] the stories themselves and what they tell us about the capacity of archival documents—however we choose to define them—to engage the human imagination in unpredictable and subversive ways. All of the stories are exercises in reading archives against the grain. What the narratives that unfold from the readings ultimately reveal are the myriad, complex, and contradictory versions of the past that are capable of being constructed from those archives.”—Heather MacNeil, Journal of Archival Organization
“Archive Stories is path-breaking in its subject matter, methodology, and up-to-date reflection on the status of historical knowledge. It is hard to see how anyone can avoid using this important anthology in methodology and historiography courses.”—Bonnie G. Smith, author of The Gender of History: Men, Women, and Historical Practice
“Important and timely, this fascinating collection of tales from a multitude of repositories and record offices removes all sorts of archives from the historian’s grasp (though there are many extraordinary and brave historians writing here) and restores their meaning to politics and society, to the telling of individual and collective pasts.”—Carolyn Steedman, author of Dust: The Archive and Cultural History
If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;
If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).
If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).
Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
For book covers to accompany reviews, please contact the publicity department.
If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.
Instructions for requesting an electronic text on behalf of a student with disabilities are available here.
Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there.
Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.
Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles