Preface  ix

Acknowledgments  xiii

Introduction  1

Part I. The Politics of Production  

1. Mainstreaming Masculinity: Bhangra Boyz and Belonging in Britain  33

2. From the Margins to the Mainstream: Asian Underground Artists and the Politics of Not Being Political  70

Part II. The Club Cultures in Consumption  

3. The Troubling Subjects of Wayward Asian Girls: Working-Class Women and Bhangra Club Going  117

4. Roomful of Asha: Middle-Class Women and Asian Underground Club Going  160

Conclusion. Bhangra and Asian Underground in the 2000s  187

Notes  203

Bibliography  227

Index  237

"Falu Bakrania has written a fantastic book that provides an excellent account of the complex and contradictory ways that young men and women in Britain craft British Asian identities through the bhangra and Asian Underground music scenes. It was with pleasure that I 'met' Jess, Sukh, Leena, and the other girls and women. Bakrania's transcriptions of the interviews with men and women were fantastic and well-analyzed, truly conveying a sense of their struggles, joys, and humor. Bhangra and Asian Underground is a fabulous ethnography that will enjoy a wide readership."—Nitasha Tamar Sharma, author of Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness

"Bhangra and Asian Underground is an important book. By focusing on how young British Asian women, particularly working-class women, negotiate questions of race, class, and nation through a gendered relation to popular culture, Falu Bakrania foregrounds the constitutive nature of class in British Asian women's lives."—Gayatri Gopinath, author of Impossible Desires: Queer Diasporas and South Asian Public Cultures

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