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Editorial Office:
Department of Film and Media Studies
University of California, Santa Barbara
Santa Barbara, CA 93106-4010
805-893-7069
805-893-8630 (fax)
cameraobscura@filmandmedia.ucsb.edu
Editors:
Lalitha Gopalan, University of Texas at Austin
Lynne Joyrich, Brown University
Homay King, Bryn Mawr College
Constance Penley, University of California, Santa Barbara
Tess Takahashi, York University
Patricia White, Swarthmore College
Sharon Willis, University of Rochester
Advisory Editors:
Paula Amad
Joanne Bernardi
Shohini Chaudhuri
Rey Chow
Wendy Hui Kyong Chun
Mary Desjardins
Mary Ann Doane
Alexander Doty
Rosa-Linda Fregoso
Bishnupriya Ghosh
Jennifer González
Elena Gorfinkel
Amelie Hastie
Jennifer Horne
Bliss Cua Lim
Ana López
Kathleen McHugh
Mandy Merck
Meaghan Morris
Frances Negrón-Muntaner
Lisa Parks
B. Ruby Rich
Ella Shohat
Jacqueline Stewart
Sasha Torres
Managing Editor:
Athena Tan
Editorial Assistants:
Ryan Bowles
Hannah Goodwin
Lindsay Palmer
Diana Pozo
Camera Obscura seeks essays (approximately 25–30 pages or 6,500–9,000 words, including endnotes) that engage with current academic and popular discourses in feminism, culture, and media studies. The journal encourages contributions in areas such as the conjunctions of gender, race, class, and sexuality with audiovisual culture; new histories and theories of film, television, video, and digital media; and politically engaged approaches to a range of media practices. We encourage potential contributors to browse recent issues of the journal for examples of the types of scholarship we currently seek.
Camera Obscura is also interested in short pieces (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section "In Practice: Feminism/Culture/Media." The editors encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contributions and open submissions, with the intention of enriching dialogue between feminist media scholarship and the practices—production, distribution, exhibition, organizing, curating, archiving, research, etc.—that sustain it.
Please submit an electronic copy of the manuscript (as a Microsoft Word e-mail attachment) with a cover letter to the managing editor at cameraobscura@filmandmedia.ucsb.edu. Manuscripts should be double-spaced and use endnotes. Camera Obscura's documentation style follows The Chicago Manual of Style, 16th ed., chap. 14.
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Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies. The journal encourages contributions in areas such as the conjunctions of gender, race, class, and sexuality with audiovisual culture; new histories and theories of film, television, video, and digital media; and politically engaged approaches to a range of media practices.
Abstractors and Indexers:
Indexed/abstracted in the following: Academic Research Library, Academic Search Premier, Alternative Press Index, Art Abstracts, Art Full Text, Art Index, ARTbibliographies Modern, Arts and Humanities Citation Index, Contemporary Culture Index, Current Abstracts, Current Contents/Arts and Humanities, Discovery, Expanded Academic ASAP, Film Literature Index, General Reference Center Gold, General Reference Centre International, History Resource Center: World, Humanities International Index, International Bibliography of Theatre, International Bibliography of Periodical Literature (IBZ), International Index to Film Periodicals, Intute, Literature Online, Magazines for Libraries, MLA International Bibliography, News and Magazines, Periodicals Index Online, ProQuest: GenderWatch, Research Library, Student Resource Center College with Expanded Academic ASAP, Women's Studies International.