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- Camera Obscura • Lalitha Gopalan, Lynne Joyrich, Homay King, Constance Penley, Tess Takahashi, Patricia White, Sharon Willis
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- Making Cinelandia • Laura Isabel Serna
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- Reality Gendervision • Brenda R. Weber
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- Animating Film Theory • Karen Beckman
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- The Forms of the Affects • Eugenie Brinkema
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- Sex Scene • Eric Schaefer
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- The Black Body in Ecstasy • Jennifer Christine Nash
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- The Korean Popular Culture Reader • Kyung Hyun Kim, Youngmin Choe
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- Spectacular Digital Effects • Kristen Whissel
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- Ethereal Queer • Amy Villarejo
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- The Battle of the Sexes in French Cinema, 1930–1956 • Noël Burch, Geneviève Sellier, Peter Graham
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- Indigenous Media in Mexico • Erica Cusi Wortham
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- D-Passage • Trinh T. Minh-ha
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- Cinema of Actuality • Yuriko Furuhata
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- Black Power TV • Devorah Heitner
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- Education in the School of Dreams • Jennifer Lynn Peterson
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- New Queer Cinema • B. Ruby Rich
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- Mad Men, Mad World • Lauren M. E. Goodlad, Lilya Kaganovsky, Robert A. Rushing
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- The Aesthetics of Shadow • Daisuke Miyao
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- Not Hollywood • Sherry B. Ortner
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- Transcending Blackness • Ralina L. Joseph
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- A Social History of Iranian Cinema, Volume 4 • Hamid Naficy
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- One Night on TV Is Worth Weeks at the Paramount • Murray Forman
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- Music, Sound, and Technology in America • Timothy D. Taylor, Mark Katz, Tony Grajeda
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- Prescription TV • Joy V. Fuqua
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- The Already Dead • Eric Cazdyn
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- A Social History of Iranian Cinema, Volume 3 • Hamid Naficy
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- Producing Bollywood • Tejaswini Ganti
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- Swift Viewing • Charles R. Acland
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- The Oriental Obscene • Sylvia Shin Huey Chong
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- Useful Cinema • Charles R. Acland, Haidee Wasson
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- Virtual Hallyu • Kyung Hyun Kim
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- The Queer Art of Failure • Judith Halberstam
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- A Social History of Iranian Cinema, Volume 1 • Hamid Naficy
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- A Social History of Iranian Cinema, Volume 2 • Hamid Naficy
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- Julia Child's The French Chef • Dana Polan
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- Soldiers’ Stories • Yvonne Tasker
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- Below the Line • Vicki Mayer
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- Dark Borders • Jonathan Auerbach
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- Television as Digital Media • James Bennett, Niki Strange
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- Cold War Femme • Robert J. Corber
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- The Apartment Plot • Pamela Robertson Wojcik
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- Lost in Translation • Homay King
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- Scripted Affects, Branded Selves • Gabriella Lukács
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- Crash • Karen Beckman
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- Bring on the Books for Everybody • Jim Collins
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- Backward Glances • Fran Martin
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- Painting the City Red • Yomi Braester
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- The Cinematic Life of the Gene • Jackie Stacey
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- Red, White & Black • Frank B. Wilderson
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- Reframing Bodies • Roger Hallas
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- The Un-Americans • Joseph Litvak
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- Makeover TV • Brenda R. Weber
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- Translating Time • Bliss Cua Lim
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- Life between Two Deaths, 1989–2001 • Philip E. Wegner
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- Inherent Vice • Lucas Hilderbrand
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- Untimely Bollywood • Amit S. Rai
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- Crisis and Capitalism in Contemporary Argentine Cinema • Joanna Page
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- Mourning the Nation • Bhaskar Sarkar
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- The Sopranos • Dana Polan
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- Inventing Film Studies • Lee Grieveson, Haidee Wasson
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- Displaced Allegories • Negar Mottahedeh
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- Picturing American Modernity • Kristen Whissel
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- Bound by Law? • Keith Aoki, James Boyle
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- Screening Sex • Linda Williams
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- Still Moving • Karen Beckman, Jean Ma
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- The Cinema of Naruse Mikio • Catherine Russell
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- Global Indigenous Media • Pamela Wilson, Michelle Stewart
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- Mondo Exotica • Francesco Adinolfi, Karen Pinkus
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- Masculine Singular • Geneviève Sellier, Kristin Ross
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- Production Culture • John Thornton Caldwell
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- Moral Spectatorship • Lisa Cartwright
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- The Witch’s Flight • Kara Keeling
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- Interrogating Postfeminism • Yvonne Tasker, Diane Negra
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- Undead TV • Elana Levine, Lisa Ann Parks
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- Sleaze Artists • Jeffrey Sconce
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- Looking Past the Screen • Jon Lewis, Eric Smoodin
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- Women's Experimental Cinema • Robin Blaetz
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- Medium Cool • Roger Beebe, Jason Middleton
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- Kids Rule! • Sarah Banet-Weiser
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- Fabulous! Divas, Part 1 • Alexander Doty
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- The Hypersexuality of Race • Celine Parreñas Shimizu
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- Dietrich Icon • Gerd Gemünden, Mary R. Desjardins
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- Sessue Hayakawa • Daisuke Miyao
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- The Urban Generation • Zhen Zhang
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- Cupboards of Curiosity • Amelie Hastie
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- Wallowing in Sex • Elana Levine
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- New Women of the Silent Screen • Catherine Russell
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- Pretend We’re Dead • Annalee Newitz
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- Cinema at the End of Empire • Priya Jaikumar
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- Camera Obscura at Thirty • Amelie Hastie
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- Manly Arts • David A. Gerstner
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- The Irish in Us • Diane Negra
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- Hong Kong Connections • Meaghan Morris, Siu Leung Li, Stephen Chan Ching-Kiu
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- Virtual Voyages • Jeffrey Ruoff
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- Framed • Orit Kamir
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- Rebels • Leerom Medovoi
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- Cinematic Prophylaxis • Kirsten Ostherr
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- How to Be an Intellectual in the Age of TV • Marcie Frank
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- Incongruous Entertainment • Steven Cohan
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- Tuning Out Blackness • Yeidy M. Rivero
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- Cultures in Orbit • Lisa Ann Parks
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- Regarding Frank Capra • Eric Smoodin
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- Steel Chair to the Head • Nicholas Sammond
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- Imitation of Life • Fannie Hurst, Daniel Itzkovitz
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- No Future • Lee Edelman
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- Television after TV • Lynn Spigel, Jan Olsson
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- Envisioning Taiwan • June Yip
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- Mute Dreams, Blind Owls, and Dispersed Knowledges • Michael M. J. Fischer
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- Porn Studies • Linda Williams
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- Cultural Sutures • Lester D. Friedman
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- Ghouls, Gimmicks, and Gold • Kevin Heffernan
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- Watching Jim Crow • Steven D. Classen
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- The Remasculinization of Korean Cinema • Kyung Hyun Kim
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- Memory Bytes • Lauren Rabinovitz, Abraham Geil
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- Screen Traffic • Charles R. Acland
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- Lesbian Rule • Amy Villarejo
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- Matters of Gravity • Scott Bukatman
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- Vanishing Women • Karen Beckman
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- Reconstructing Dixie • Tara McPherson
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- Rites of Realism • Ivone Margulies
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- Hop on Pop • Henry Jenkins, Tara McPherson, Jane Shattuc
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- Memoirs from the Beijing Film Academy • Zhen Ni, Chris Berry
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- A Feminist Reader in Early Cinema • Jennifer M. Bean, Diane Negra
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- The Flash of Capital • Eric Cazdyn
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- Disintegrating the Musical • Arthur Knight
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- Identities in Motion • Peter X Feng
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- Working Like a Homosexual • Matthew Tinkcom
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- The Cinema of Economic Miracles • Angelo Restivo
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- Soundtrack Available • Pamela Robertson Wojcik, Arthur Knight
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- Early Women Stars • Jennifer M. Bean, Diane Negra
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- Reading the Figural, or, Philosophy after the New Media • D. N. Rodowick
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- Asia/Pacific Cinemas • Jonathan Beller, Esther C. M. Yau, Kyung Hyun Kim
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- Gay Fandom and Crossover Stardom • Michael DeAngelis
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- Welcome to the Dreamhouse • Lynn Spigel
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- A Not So Foreign Affair • Andrea Slane
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- Marginality and Alterity in New European Cinemas, Part 2 • Randall Halle, Sharon Willis
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- Returning the Gaze • Anna Everett
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- Ambient Television • Anna McCarthy
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- Groove Tube • Aniko Bodroghkozy
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- Spectacular Passions • Brett Farmer
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- Latent Destinies • Patrick O'Donnell
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- Tabloid Culture • Kevin Glynn
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- Marginality and Alterity in New European Cinemas, Part 1 • Randall Halle
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- Haunted Media • Jeffrey Sconce
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- China’s New Cultural Scene • Claire Huot
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- The Fruit Machine • Thomas Waugh
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- Kurosawa • Mitsuhiro Yoshimoto
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- Kids’ Media Culture • Marsha Kinder
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- The Skin of the Film • Laura U. Marks
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- Screening Culture, Viewing Politics • Purnima Mankekar
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- Savage Theory • Rachel O. Moore
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- “Bold! Daring! Shocking! True!” • Eric Schaefer
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-
- Changing Channels • Ellen Mickiewicz
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-
- Television, History, and American Culture • Mary Beth Haralovich, Lauren Rabinovitz
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-
-
- Experimental Ethnography • Catherine Russell
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-
- The Seventies Now • Stephen Paul Miller
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-
- Out Takes • Ellis Hanson
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-
- Ziegfeld Girl • Linda Mizejewski
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-
- Saturday Morning Censors • Heather Hendershot
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-
- Bound and Gagged • Laura Kipnis
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-
- Chick Flicks • B. Ruby Rich
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- Living Color • Sasha Torres
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-
- Empty Moments • Leo Charney
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- The New American Cinema • Jon Lewis
-
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-
- Talkin’ With Your Mouth Full • Steve Fagin
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- Tropical Multiculturalism • Robert Stam
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- High Contrast • Sharon Willis
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-
- Refiguring Spain • Marsha Kinder
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-
- Gilles Deleuze’s Time Machine • D. N. Rodowick
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-
- AIDS TV • Alexandra Juhasz
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-
- Chinese Modernism in the Era of Reforms • Xudong Zhang
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-
- Classical Hollywood Narrative • Jane M. Gaines
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-
- Entertaining the Third Reich • Linda Schulte-Sasse
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-
- Guilty Pleasures • Pamela Robertson Wojcik
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-
- Homosexuality in Cold War America • Robert J. Corber
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-
- In the Name of National Security • Robert J. Corber
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- Inside the Mouse • The Project on Disney
-
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-
- Nothing Happens • Ivone Margulies
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- Out in Culture • Corey K. Creekmur, Alexander Doty
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- Parallel Tracks • Lynne Kirby
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-
- The Passion of Ingmar Bergman • Frank Gado
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- Plays, Movies, and Critics • Jody McAuliffe
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- Postmodernism, or, The Cultural Logic of Late Capitalism • Fredric Jameson
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- Seeing Through the Eighties • Jane Feuer
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-
- Skin Shows • Judith Halberstam
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-
- Still Life in Real Time • Richard Dienst
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-
- Terminal Identity • Scott Bukatman
-
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-
- Text • John Mowitt
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- The Third Eye • Fatimah Tobing Rony
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- Whom God Wishes to Destroy . . . • Jon Lewis
-