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- Theater • Tom Sellar
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- Black Performance Theory • Thomas DeFrantz, Anita Gonzalez
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- Refrains for Moving Bodies • Derek P. McCormack
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- Salsa Crossings • Cindy García
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- Listening in Detail • Alexandra T. Vazquez
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- What We Made • Tom Finkelpearl
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- Always More Than One • Erin Manning
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- Toussaint Louverture • C. L. R. James, Christian Høgsbjerg
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- Trumpets in the Mountains • Laurie A. Frederik
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- Seven Contemporary Plays from the Korean Diaspora in the Americas • Esther Kim Lee
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- Darkening Mirrors • Stephanie Leigh Batiste
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- The One and the Many • Grant H. Kester
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- Enacting Others • Cherise Smith
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- Correspondence Course • Kristine Stiles, Carolee Schneemann
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- So Much Wasted • Patrick Anderson
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- I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays • Sonia Sanchez, Jacqueline Wood
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- Leaving Art • Suzanne Lacy
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- Painting the City Red • Yomi Braester
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- Pink Noises • Tara Rodgers
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- Slaves to Fashion • Monica L. Miller
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- Selenidad • Deborah Paredez
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- Theater and Social Change • Alisa Solomon
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- Dancing with the Dead • Christopher T. Nelson
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- The World of Lucha Libre • Heather Levi
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- Contemporary Censorship and Performance • Miriam Felton-Dansky, Tom Sellar
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- Babylon Girls • Jayna Brown
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- Punctuation • Jennifer DeVere Brody
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- Clairvoyance (For Those In The Desert) • Joanna Frueh
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- Creating Our Own • Zoila S. Mendoza
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- Unsettling Accounts • Leigh A. Payne
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- Stages of Emergency • Tracy C. Davis
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- The Veiled Monologues—special section • Tom Sellar
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- Performance, Politics, and History • Sally Charnow, Eliza Jane Reilly
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- Dietrich Icon • Gerd Gemünden, Mary R. Desjardins
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- Virtuosity • Tom Sellar
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- Bodies in Dissent • Daphne A. Brooks
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- Art Works • Richard Meyer, David Román
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- Elfriede Jelinek’s Princess Plays • Tom Sellar
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- Art Works • Richard Meyer, David Román
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- Russian Theater • Tom Sellar, Yana Ross, Tom Sellar
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- The Last “Darky” • Louis Chude-Sokei
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- Performance in America • David Román
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- Stigmas of the Tamil Stage • Susan Seizer
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- Theater and Violence • Tom Sellar
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- Witold Gombrowicz’s Century • Tom Sellar
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- The Spectacular City • Daniel M. Goldstein
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- Classics Reconditioned • Catherine Sheehy
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- Holy Terrors • Diana Taylor, Roselyn Costantino
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- The Archive and the Repertoire • Diana Taylor
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- Appropriating Blackness • E. Patrick Johnson
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- Vanishing Women • Karen Beckman
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- An Archive of Feelings • Ann Cvetkovich
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- Art Spiegelman Issue • Erika Munk
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- National Abjection • Karen Shimakawa
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- Uses of the Folk • Karl Hagstrom Miller, Ellen Noonan
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- Imitations of Life • Louise McReynolds, Joan Neuberger
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- Shakespeare, Brecht, and the Intercultural Sign • Antony Tatlow
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- New American Theater • Erika Munk
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- The New Trial • Peter Weiss, James Rolleston, Kai Evers
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- 100 Years of Kurt Weill • Tom Sellar
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- Between Two Fires • Alaina Lemon
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- Stand-up Comedy in Theory, or, Abjection in America • John Limon
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- Mysterious Actions • Jody McAuliffe
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- New Music-Theater • Erika Munk
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- Theater and War • Erika Munk
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- The Apocalyptic Century • Elinor Fuchs
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- Where Is Ana Mendieta? • Jane Blocker
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- Stagestruck • Sarah Schulman
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- Meaning in Motion • Jane C. Desmond
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- Negotiating Performance • Diana Taylor, Juan Villegas
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- Phantasmic Radio • Allen S. Weiss
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- Pinter In Play • Susan Hollis Merritt
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- Plays, Movies, and Critics • Jody McAuliffe
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- States of Mind • Kristine Stiles
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- Tragic Muse • Rachel M. Brownstein
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