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“Global Indigenous Media is certainly an important contribution to knowledge regarding Indigenous media, and I do not hesitate to recommend it strongly to scholars in relevant areas of study.”—Ross Watson, M/C Reviews
“Global indigenous Media is a remarkably eclectic and timely group of essays that are presented and arranged into a fascinating collection with a thorough and insightful introduction by the editors Wilson and Stewart. This book will be of significance to ethnographers and anthropologists with interests in the scholarship and practice of indigenous media, visual anthropology, communications and media studies, as well as indigenous artistic practice and production, to name only some of the fields on which this collection touches.—Paul Wolfram, Asia Pacific Journal of Anthropology
“[T]he collection successfully contributes to our understandings of Indigenous
mass mediations, both as a diverse range of products and processes. . . . [T]he strongest essays in Global Indigenous Media should remind all communication and media scholars that they should be reading about Indigenous media experiences.”—Vicki Mayer, Global Media and Communication
“Global Indigenous Media is certainly an important contribution to knowledge regarding Indigenous media, and I do not hesitate to recommend it strongly to scholars in relevant areas of study.”—Ross Watson, M/C Reviews
“Global indigenous Media is a remarkably eclectic and timely group of essays that are presented and arranged into a fascinating collection with a thorough and insightful introduction by the editors Wilson and Stewart. This book will be of significance to ethnographers and anthropologists with interests in the scholarship and practice of indigenous media, visual anthropology, communications and media studies, as well as indigenous artistic practice and production, to name only some of the fields on which this collection touches.—Paul Wolfram, Asia Pacific Journal of Anthropology
“[T]he collection successfully contributes to our understandings of Indigenous
mass mediations, both as a diverse range of products and processes. . . . [T]he strongest essays in Global Indigenous Media should remind all communication and media scholars that they should be reading about Indigenous media experiences.”—Vicki Mayer, Global Media and Communication
“Global Indigenous Media is a necessary, urgent, and conceptually brilliant volume. Each essay is a gem. Taken together, they change how one thinks about Indigenous media and they reveal its importance in the transnational media landscapes of the twenty-first century.”—Patricia R. Zimmermann, author of States of Emergency: Documentaries, Wars, Democracies
“All scholars and practitioners interested in the global Indigenous mediascape will want to have access to this excellent volume packed with original contributions from all over the world.”—Harald E. L. Prins, former visual anthropology editor, American Anthropologist, and past president, Society for Visual Anthropology
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In this exciting interdisciplinary collection, scholars, activists, and media producers explore the emergence of Indigenous media: forms of media expression conceptualized, produced, and created by Indigenous peoples around the globe. Whether discussing Maori cinema in New Zealand or activist community radio in Colombia, the contributors describe how native peoples use both traditional and new media to combat discrimination, advocate for resources and rights, and preserve their cultures, languages, and aesthetic traditions. By representing themselves in a variety of media, Indigenous peoples are also challenging misleading mainstream and official state narratives, forging international solidarity movements, and bringing human rights violations to international attention.
Global Indigenous Media addresses Indigenous self-representation across many media forms, including feature film, documentary, animation, video art, television and radio, the Internet, digital archiving, and journalism. The volume’s sixteen essays reflect the dynamism of Indigenous media-making around the world. One contributor examines animated films for children produced by Indigenous-owned companies in the United States and Canada. Another explains how Indigenous media producers in Burma (Myanmar) work with NGOs and outsiders against the country’s brutal regime. Still another considers how the Ticuna Indians of Brazil are positioning themselves in relation to the international community as they collaborate in creating a CD-ROM about Ticuna knowledge and rituals. In the volume’s closing essay, Faye Ginsburg points out some of the problematic assumptions about globalization, media, and culture underlying the term “digital age” and claims that the age has arrived. Together the essays reveal the crucial role of Indigenous media in contemporary media at every level: local, regional, national, and international.
Contributors: Lisa Brooten, Kathleen Buddle, Cache Collective, Michael Christie, Amalia Córdova,
Galina Diatchkova, Priscila Faulhaber, Louis Forline, Jennifer Gauthier, Faye Ginsburg, Alexandra Halkin, Joanna Hearne, Ruth McElroy, Mario A. Murillo, Sari Pietikäinen, Juan Francisco Salazar,
Laurel Smith, Michelle Stewart, Pamela Wilson