Preface  vii

Introduction: Intimacy, Publicity, and Femininity  1

1. Poor Eliza  33

2. Pax Americana: The Case of Show Boat  69

3. National Brands, National Body: Imitation of Life  107

4. Uncle Sam Needs a Wife: Citizenship and Denegation  145

5. Remembering Love, Forgetting Everything Else: Now, Voyager  169

6. "It's Not the Tragedies That Kill Us, It's the Messes": Femininity, Formalism, and Dorothy Parker  207

7. The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil  233

Overture/Aperture: Showboat 1988—The Remake  265

Notes  281

Bibliography  319

Index  347

“The Female Complaint advances and refines the relationship between intimacy and publicity in ways that suggestively rethink the category of individuality in late capitalism. . . . The Female Complaint is an uncannily hopeful book, finding value and possibility in a wholly nonredemptive account of convention.”
—Jordan Alexander Stein, GLQ

“As we have come to expect with Berlant's scholarship, The Female Complaint is a deft contribution to the study of American literature and culture.”—Brenda R. Weber, Contemporary Literature

“The Female Complaint is rich with critical analysis that will make significant contributions to the ways scholars theorize American women’s relations to politics, material culture, and each other.”—Sara L. McKinnon, Rhetoric and Public Affairs

“Berlant sounds like your smartest and bitchiest friend—and the insights just keep coming.”—Heather Love, Women’s Review of Books

“By turns sidesplitting and devastating but always revelatory, Lauren Berlant’s new book explores why we insist that what the world needs now is love, and how much we lose in the process.”—Lara Langer Cohen, Criticism

“The Female Complaint is a brilliant book that brings to point how culture creates the stereotypical woman and how the marketing of this role continues to be exploited through book and film.”—Mary O’Hara, Feminist Review blog

“The affective pleasure of reading The Female Complaint emerges from its unwillingness to sacrifice either incisive political critique that challenges the limits of women’s culture or textured formal accounts of the powerful emotional experience its texts provide for its consumers. . . . Theoretically ambitious and cogently argued, funny and invigorating, Berlant’s text promises to profoundly reshape how we think about sentimentality, gender, and affect in American culture.”—Margaret Ronda, American Book Review

“[A] clever and insightful book. . . . “—Alan Han, M/C Reviews

“[A]s a key to and model for how popular culture contributes to such narratives, The Female Complaint is exemplary.”—Leslie Ellen Petty, The Journal of American History

“The Female Complaint advances and refines the relationship between intimacy and publicity in ways that suggestively rethink the category of individuality in late capitalism. . . . The Female Complaint is an uncannily hopeful book, finding value and possibility in a wholly nonredemptive account of convention.”
—Jordan Alexander Stein, GLQ

“As we have come to expect with Berlant's scholarship, The Female Complaint is a deft contribution to the study of American literature and culture.”—Brenda R. Weber, Contemporary Literature

“The Female Complaint is rich with critical analysis that will make significant contributions to the ways scholars theorize American women’s relations to politics, material culture, and each other.”—Sara L. McKinnon, Rhetoric and Public Affairs

“Berlant sounds like your smartest and bitchiest friend—and the insights just keep coming.”—Heather Love, Women’s Review of Books

“By turns sidesplitting and devastating but always revelatory, Lauren Berlant’s new book explores why we insist that what the world needs now is love, and how much we lose in the process.”—Lara Langer Cohen, Criticism

“The Female Complaint is a brilliant book that brings to point how culture creates the stereotypical woman and how the marketing of this role continues to be exploited through book and film.”—Mary O’Hara, Feminist Review blog

“The affective pleasure of reading The Female Complaint emerges from its unwillingness to sacrifice either incisive political critique that challenges the limits of women’s culture or textured formal accounts of the powerful emotional experience its texts provide for its consumers. . . . Theoretically ambitious and cogently argued, funny and invigorating, Berlant’s text promises to profoundly reshape how we think about sentimentality, gender, and affect in American culture.”—Margaret Ronda, American Book Review

“[A] clever and insightful book. . . . “—Alan Han, M/C Reviews

“[A]s a key to and model for how popular culture contributes to such narratives, The Female Complaint is exemplary.”—Leslie Ellen Petty, The Journal of American History

“Of all the feminist cultural theorists whom I admire, Lauren Berlant is the one I consider to be the most theoretically innovative and politically inspiring. Yet this book exceeded even my highest hopes and expectations. Refusing to dodge the really searching political questions for contemporary American culture, Berlant maps the tricky terrain of the intimate public sphere. She has written a phenomenal study of breathtaking scope. I have no doubt that scholars and students will continue to debate the issues it raises for many years to come.”—Jackie Stacey, University of Manchester

“Lauren Berlant’s voice is as unmistakable as Ella Fitzgerald singing scat. By turns seductive and bracing, gentle and wise, reassuring and disorienting, The Female Complaint asks readers to take mass-mediated women’s culture seriously. By the end of this absorbing book, you will understand the importance of living better clichés, why love requires amnesia, and how banality can be therapeutic. You will also have an irresistible craving to watch Now, Voyager one more time, in whatever setting enables you to thrive, and to give this fascinating book to someone who deserves to love better, or to forgive herself for just getting by.”—Mary Poovey, New York University

“Guiding us through a ‘women’s culture’ animated by scenes of longing for a fantasmatic commonality, an ever-elusive normativity, Lauren Berlant illuminates, in readings unfailingly subtle and wise, the psychic negotiations and emotional bargaining that women in U.S. culture conduct to be part of an ‘intimate public.’ More dazzlingly still, she addresses what the business of sentimentality works to obscure: the possibility of political agency in the face of a cultural machinery that makes us feel helpless to do anything more than affirm our ability to feel. To read The Female Complaint is to realize how long and how much it’s been needed.”—Lee Edelman, author of No Future: Queer Theory and the Death Drive

“Lauren Berlant’s voice is as unmistakable as Ella Fitzgerald singing scat. By turns seductive and bracing, gentle and wise, reassuring and disorienting, The Female Complaint asks readers to take mass-mediated women’s culture seriously. By the end of this absorbing book, you will understand the importance of living better clichés, why love requires amnesia, and how banality can be therapeutic. You will also have an irresistible craving to watch Now, Voyager one more time, in whatever setting enables you to thrive, and to give this fascinating book to someone who deserves to love better, or to forgive herself for just getting by.”—Mary Poovey, New York University

“Guiding us through a ‘women’s culture’ animated by scenes of longing for a fantasmatic commonality, an ever-elusive normativity, Lauren Berlant illuminates, in readings unfailingly subtle and wise, the psychic negotiations and emotional bargaining that women in U.S. culture conduct to be part of an ‘intimate public.’ More dazzlingly still, she addresses what the business of sentimentality works to obscure: the possibility of political agency in the face of a cultural machinery that makes us feel helpless to do anything more than affirm our ability to feel. To read The Female Complaint is to realize how long and how much it’s been needed.”—Lee Edelman, author of No Future: Queer Theory and the Death Drive

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