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Editorial Office:
Public Culture
425 Hamilton Hall, MC 2880
1130 Amsterdam Ave.
New York, NY 10027
212-854-3248
212-854-0500 (fax)
info@publicculture.org
Editor:
Eric Klinenberg, New York University
Executive Editor:
Claudio Lomnitz, Columbia University
Senior Editors:
Candace Vogler
Elizabeth A. Povinelli
Editorial Committee:
Faisal Devji
Mamadou Diouf
Dilip Parameshwar Gaonkar
Marilyn Ivy
Claudio Lomnitz
Elizabeth A. Povinelli
Janet Roitman
Katie Trumpener
Candace Vogler
Contributing Editors:
Ackbar Abbas
Dipesh Chakrabarty
Fernando Escalante
Éric Fassin
Beatriz Jaguaribe
Achille Mbembe
Charles Taylor
Managing Editor:
Plaegian Alexander
Assistant Editor:
Stephen Twilley
Web Editor:
Craig Zheng
Editorial Assistants:
Richard Adams
Amna Ahmad
Founding Editors:
Arjun Appadurai
†Carol A. Breckenridge
Editorial Collective:
Nadia Abu El-Haj
Lauren Berlant
Homi Bhabha
Akeel Bilgrami
Svetlana Boym
Nestor Garcia Canclini
Kyeong-Hee Choi
Jean Comaroff
Souleymane Bachir Diagne
Manthia Diawara
Keller Easterling
Brian T. Edwards
Allen Feldman
Michael M. J. Fischer
Nilüfer Göle
Adrián Gorelik
Lawrence Grossberg
Tom Gunning
Thomas Blom Hansen
Benjamin Lee
Ping hui Liao
Saba Mahmood
Patchen Markell
Meaghan Morris
Jorge Myers
Ashis Nandy
John Pemberton
Vicente L. Rafael
Gayatri Chakravorty Spivak
Peter van der Veer
Lisa Wedeen
Indexed/abstracted in the following: Academic Search Premier, Anthropological Literature, CAB Abstracts, Contemporary Culture Index, Current Abstracts, Current Contents/Social and Behavioral Sciences, Humanities Abstracts, Humanities Full Text, Humanities Index, Humanities International Index, International Bibliography of Periodical Literature (IBZ), International Political Science Abstracts, Intute, Iowa Guide, Literature Online, Magazines for Libraries, MLA Bibliography, OmniFile Full Text V, OmniFile Full Text, Mega Edition, Research Library, Scopus, Social Sciences Citation Index, SocINDEX, SocINFO, Sociological Abstracts.
Submissions from 500 to 9,000 words will be considered for publication. In addition to original essays, Public Culture welcomes photo-essays and artwork, announcements of collective intellectual projects, submissions of materials for reprinting in the "Genealogy and Miscellany" sections, short essays for the "Etymology" section, and short review essays. Public Culture does not review individual books.
Essays
1. Style. Authors are asked to conform to Public Culture's style, especially in regard to citations. The Public Culture style guide is available for download by clicking here. In other aspects of style and spelling, please follow The Chicago Manual of Style, fifteenth edition, and Merriam-Webster's Collegiate Dictionary, eleventh edition.
2. Format. Manuscripts should be submitted in triplicate and should be double-spaced throughout. A double-spaced list of "Literature Cited" should be attached, as well as double-spaced endnotes. The font for all text should be Times Roman 12 point. A short "bio" should be included on a separate sheet, stating the author's institutional affiliation, relevant recent publications, and current research. Please do not use running headers or footnotes.
3. Length. The entire manuscripttext, quotations, references, endnotesshould be a maximum of 9,000 words. In some cases, authors may be asked to shorten essays.
4. Camera-ready copy. Any photographs or illustrations must be of good quality. Photocopies of photographs are usually not acceptable. Please provide, on a separate page, a caption for each illustration. All photographs will be returned to authors after review or publication. Electronic images may also be submitted.
5. Permissions. The author is responsible for obtaining written permission to reprint any illustrations. Please consult the editorial staff with any questions.
6. Electronic submissions. Due to the volume of submissions received, we request that authors submit hard copies only. Overseas authors, however, may submit via e-mail, to submissions@publicculture.org. Authors of manuscripts accepted for publication will be asked to submit final versions via e-mail attachment, preferably in Microsoft Word.
Groups of Essays
Groups of essays on a single topic or theme may be considered for publication in a special issue or special feature of Public Culture. Please submit all papers together, following the guidelines above, plus
• a short (one-page) description of the common intellectual project of the group of papers;
• a list of the papers' titles and their authors' names and addresses; and
• a very short (250-word) abstract of each paper.
Visual Essays
Public Culture welcomes submissions of original photo-essays or other visual essays, with or without an accompanying text.
1. Camera-ready copy. Please submit camera-ready copy, preferably in black and white. For photographs, 8 x 10 black-and-white glossy prints are strongly preferred.
2. Layout. Artists submitting visual essays should bear in mind that all essays will begin on a recto (righthand) page. Final decisions regarding layout will rest with the editor.
3. Public Culture's specs. A page in Public Culture measures 7 x 8 1/2 inches. Typefaces used in the production of the journal include China Smallcaps, Gill Sans Bold Condensed, and Times Roman. For more information please consult the editorial office.
If you wish us to return your images, please send a self-addressed, stamped envelope.
The author is responsible for obtaining written permission to reprint any illustrations. Please consult the editorial staff with any questions.
Where to Send Your Submissions
The Editor
Public Culture
425 Hamilton Hall, MC 2880
1130 Amsterdam Ave.
New York, NY 10027
212-854-3248
Approximate Schedule
Essays accepted for publication will generally be published within nine to twelve months of receipt. This schedule is somewhat flexible, however, and subject to various contingencies. If you have a particular concern about timing, please consult the editorial office.
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Individual Access Instructions
To activate online access, please follow these instructions:
1. Visit dukejournals.org/subscriptions.
2. Under the “Activation” header, click “Individuals and Society Members: Activate your online access.”
3. Enter your customer number. You can find your customer number on the mailing label of the journal or on the renewal notice. If you are unable to find your customer number, please contact Customer Service.
4. Click “Submit”, which will produce an activation form.
5. Complete the form to activate your access to the products listed. (The email address provided will be used to provide you with important information regarding electronic access.)
6. Click “Send form.”
7. You may now access Duke University Press titles at dukejournals.org. You will receive a confirmation e-mail at the e-mail address you provided.
Institutional Access Instructions
1. Visit dukejournals.org/subscriptions.
2. Under the “Activation” header, click “Institutions: Activate your online access.”
3. Enter your institution’s customer number. (If your institution has an e-mail address on file, activation instructions with customer number included will be sent when your order is processed. If your institution has multiple customer numbers, you will receive an e-mail for each one.)
4. Click “Submit,” which will produce an activation form.
5. Complete the form to activate your access to the products listed. The e-mail address provided will be used to contact you regarding electronic access.
6. Click “Send form.”
7. Click the button at the top of the page to register your institution’s IP addresses.
8. Click “Save.”
Your institution should now have access to Duke University Press titles. You will receive a confirmation e-mail at the e-mail address provided.
If you have any questions, please contact Customer Service.
For more than twenty years Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization. Providing a forum for the internationalization of cultural studies, Public Culture essays have mapped the capital, human, and media flows drawing cities, peoples, and states into transnational relationships and political economies. Anthropologists, historians, sociologists, artists, and scholars of politics, literatures, architecture, and the arts have made groundbreaking contributions in its pages. With its essays and visual pieces, the journal increasingly shapes the way we talk about public cultures and globalization in a diasporic world. Public Culture's concern with transnationalism has shaped and been shaped by an international readership, and the journal is today the medium for conceptual and political discussion for an emerging international public sphere.
Public Culture is a three-time CELJ award-winning journal with an avid and forward-thinking multidisciplinary readership around the world.