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"Siegel's [biography] is the first to combine a narrative of events with a probing and persuasive analysis of the art. The result is a volume that is both a model of dance biography and a critical milestone. With Days on Earth, Humphrey has finally come into her own as an artist of the first rank."—Lynn Garafola, Dance Research Journal
"[Siegel] provides a rich socio/historical context in which to view the development of modern dance and Humphrey's growth as an artist. . . . A signal contribution to the literature on American dance."—Martha Myers, Kenyon Review
"Days on Earth depicts the creative journey of one of the most important pioneers of modern dance . . ."—Stuart Pimsler, The Art Education Review of Books
A must for anyone who has an interest in how modern dance was born."—Time Out
"Siegel's [biography] is the first to combine a narrative of events with a probing and persuasive analysis of the art. The result is a volume that is both a model of dance biography and a critical milestone. With Days on Earth, Humphrey has finally come into her own as an artist of the first rank."—Lynn Garafola, Dance Research Journal
"[Siegel] provides a rich socio/historical context in which to view the development of modern dance and Humphrey's growth as an artist. . . . A signal contribution to the literature on American dance."—Martha Myers, Kenyon Review
"Days on Earth depicts the creative journey of one of the most important pioneers of modern dance . . ."—Stuart Pimsler, The Art Education Review of Books
A must for anyone who has an interest in how modern dance was born."—Time Out
"Very well done--it should be read by all who are interested in modern dance, and is an important document that belongs in every dance library."—Paul Taylor, choreographer
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Now available in paperback, Days on Earth--originally published in 1988 (Yale University Press)--traces the dance career and artistic development of one of the founders of American modern dance. In this biography of dance pioneer Doris Humphrey, Marcia B. Siegel follows Humphrey's career from her days with the Denishawn Company (among fellos students like Martha Graham) to her creative partnership with Charles Weidman to her tenure as artistic director of protégé José Limon's dance company. Siegel's reconsideration and description of Humphrey's dances, including many that are no longer performed, sheds important light on this pathbreaking dancer/choreographer.