1. Editors’ Note–Elizabeth Weed

2. The Politics of Translation in Sandra Cisneros’s Caramelo–Bill Johnson Gonzalez

3. Cruel Optimism–Lauren Berlant

4. “I Had Barbara”: Women’s Ties and Wharton’s “Roman Fever”–Rachel Bowlby

5. Blinding the Hero–Mary Wilson Carpenter

6. The Metamorphosis of Commodities in Shaw’s Pygmalion–Lili Porten

7. Object Relations in an Expanded Field–Bill Brown

8. The Persons and Things School: Parrots, Peasants, and Pariahs in “Un Coeur Simple” and La Chaumiere indienne–Deborah Jenson

Barbara Johnson

9. Surrender and Ethically Binding Signature: On Johnson’s Reparative Process–Avital Ronell

10. Reading Johnson as a “as a”: Yes and No–Jane Gallop

11. Barbara Johnson, African Americanist: The Critic as Insider/Outsider–Mary Helen Washington

12. The Example of Barbara Johnson–Pamela L. Caughie

13. The Student Metaphor–Lee Edelman

Lauren Berlant

Rachel Bowlby

Bill Brown

Mary Wilson Carpenter

Pamela L. Caughie

Jane Gallop

Deborah Jenson

Bill Johnson-González

Lili Porten

Avital Ronell

Mary Helen Washington

Elizabeth Weed

Eileen Welsome

Ellen Rooney

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