Illustrations  ix

Reprint Acknowledgments  xi

Acknowledgments  xv

Introduction: The Work of Vision in the Age of European Empires / Sumathi Ramaswamy  1

Section I: The Imperial Optic  

Introduction / Martin Jay and Sumathi Ramaswamy  25

Part 1: Empires of the Palette  

1. The Walls of Images / Serge Gruzinski  47

2. Painting as Exploration: Visualizing Nature in Eighteenth-Century Colonial Science / Daniela Bleichmar  64

3. Indian Yellow: Making and Breaking the Imperial Palette / Jordanna Bailkin  91

4. Colonial Panaromania / Roger Benjamin  111

Part 2. The Mass-Printed Imperium  

5. Objects of Knowledge: Oceanic Artifacts in European Engravings / Nicholas Thomas  141

6. Excess in the City? Consumption of Imported Prints in Colonial Calcutta, c. 1780–c. 1795 / Natasha Eaton  159

7. Advertising and the Optics of Colonial Power at the Fin de Siècle / David Ciarlo  189

Part 3. Mapping, Claiming, Reclaiming  

8. Mapping Plus Ultra: Cartography, Space, and Hispanic Modernity / Ricardo Padrón  211

9. Mapping an Exotic World: The Global Project of Dutch Cartography, circa 1700 / Benjamin Schmidt  246

10. Visual Regimes of Colonization: European and Aboriginal Seeing in Australia / Terry Smith  267

Part 4. The Imperial Lens  

11. The Photography Complex: Exposing Boxer-Era China (1900–1901), Making Civilization / James L. Hevia  283

12. Colonial Theaters of Proof: Representation and Laughter in the 1930s Rockefeller Foundation Hygeine Cinema in Java / Eric A. Stein  315

13. Colonialism and the Built Space of Cinema / Brian Larkin  346

Section II. Postcolonial Looking  

Introduction / Martin Jay and Sumathi Ramaswamy  377

Part 5. Subaltern Seeing: An Overlap of Complexities  

14. Speaking Back to Orientalist Discourse / Zeynep Çelik  395

15. Maps, Mother/Goddesses, and Martyrdom in Modern India / Sumathi Ramaswamy  415

16. Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism / Christopher Pinney  450

17. "I Am Rendered Speechless by Your Idea of Beauty": The Picturesque in History and Art in the Postcolony / Krista A. Thompson  471

18. Fanon, Algeria, and the Cinema: The Politics of Identification / Robert Stam  503

Part 6. Regarding and Reconstituting Europe  

19. Creole Europe: The Reflection of a Reflection / Christopher Pinney  539

20. Picasso, Africa, and the Schemata of Difference / Simon Gikandi  566

21. Double Dutch and the Culture Game / Olu Oguibe  594

Conclusion. A Parting Glance: Empire and Visuality / Martin Jay  609

Contributors  621

Index  629

Sumathi Ramaswamy

Martin Jay

Serge Gruzinski

Daniela Bleichmar

Jordanna Bailkin

Roger Benjamin

Nicholas Thomas

Natasha Eaton

David Ciarlo

Ricardo Padrón

Benjamin Schmidt

Terry Smith

James L. Hevia

Eric A. Stein

Brian Larkin

Zeynep Çelik

Christopher Pinney

Krista A. Thompson

Robert Stam

Simon Gikandi

Olu Oguibe

"The culture of empire has been assessed and analyzed most frequently on the evidence of its 'writings.' It is the inscriptive archives of law, literature, anthropology, history, theology, amongst others, that have dominated our view of the representational conditions and ideological commitments that prevail in colonial societies. But empire was a potent apparatus for looking, viewing, and gazing—an act of surveillance, an art of regulation, and a profound shaper of visual culture. No collaboration could be as fruitful as the shared spirits of Martin Jay and Sumathi Ramaswamy, who serve as our gifted cicerones in the world of empire's seeing. They have gathered together some of the most important essays that explore the visual domain of empire's rule and misrule, and their anthology will have a transformative effect on art history, the history of ideas, and postcolonial studies."—Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University

"Empires of Vision is one of those books that had to be written, and that required, not a single author but an interdisciplinary and cosmopolitan collective of scholarly learning and critical passion. In a brilliant series of interventions, the authors gathered here survey the full range of ways in which imperialism worked its black magic, not just with the standard tools of armies and military technologies, bureaucracies and gunboats, but with photographs, paintings, maps, and the whole range of visual arts and media. This is essential reading for art historians, anthropologists, and scholars of visual culture across the globe."—W. J. T. Mitchell, author of Seeing Through Race

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