“High Contrast is one of the most informed critical examinations published to date of the intersection of gender and race with respect to contemporary cinema. . . . For those working in cinema--whether contemporary or historical--Willis’s work is a must read.”—Charlene Regester, Film Quarterly

“High Contrast is one of the most informed critical examinations published to date of the intersection of gender and race with respect to contemporary cinema. . . . For those working in cinema--whether contemporary or historical--Willis’s work is a must read.”—Charlene Regester, Film Quarterly

"High Contrast is one of the most illuminating and convincing discussions yet written on the intersection of race and gender in contemporary American popular culture. This is film criticism at its best."—Corey K. Creekmur, University of Iowa

"Willis carefully captures the political complexity of popular film and shows that there are no easy answers to the meanings of popular culture in everyday American life. This book will be a central force in the dialogue about the ways film is inscribed into our everyday lives."—Dana Polan, University of Southern California

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