Finding everything you need? See our Contact/FAQ if you have any questions.
"Andrew Canessa makes superb use of more than twenty years of ethnographic experience with Andean villagers of Wila Kjarka to give us a beautifully detailed and intellectually stimulating account of the changing meanings of 'indian' and 'indigeneity' in Bolivia. His focus on the intimate and the public spaces of everyday life, and on the local and the translocal flows of people, ideas, and things, provides a wonderfully engaging picture of how villagers in the Andes think of themselves and others. His deep commitment to the people of the village gives us a refreshing and important perspective on the concept of 'indigeneity,' which is too often taken for granted in the context of contemporary identity politics. Intimate Indigeneities will prove very attractive to students and scholars alike."—Peter Wade, author of Race and Sex in Latin America
"Focused on topics of great interest to contemporary readers—race, inequality, gender, sexuality, social and political change, education, military service, and domestic violence—and written with verve and style, Intimate Indigeneities draws on long-term, detailed ethnographic work that is impressive and rarely achieved. Andrew Canessa presents unique, novel knowledge about a place, a time, and a people."—Mary Weismantel, author of Cholas and Pishtacos: Stories of Race and Sex in the Andes
"Using telling case histories, Andrew Canessa explores how indigeneity appears in the local and national arena, what it means to be indigenous in contemporary Bolivia, and why the villagers he has studied for more than twenty years reject this term. This is a major contribution, a splendid example of a twenty-first-century ethnography."—Jean E. Jackson, coeditor of Indigenous Movements, Self-Representation, and the State in Latin America
If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;
If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).
If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).
Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
For book covers to accompany reviews, please contact the publicity department.
If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.
Instructions for requesting an electronic text on behalf of a student with disabilities are available here.
Drawing on extended ethnographic research conducted over the course of more than two decades, Andrew Canessa explores the multiple identities of a community of people in the Bolivian highlands through their own lived experiences and voices. He examines how gender, race, and ethnic identities manifest themselves in everyday interactions in the Aymara village. Canessa shows that indigeneity is highly contingent; thoroughly imbricated with gendered, racial, and linguistic identities; and informed by a historical consciousness. Addressing how whiteness and indianness are reproduced as hegemonic structures in the village, how masculinities develop as men go to the mines and army, and how memories of a violent past are used to construct a present sense of community, Canessa raises important questions about indigenous politics and the very nature of indigenous identity.