Acknowledgments  ix

The Academy and Motion Pictures / Lee Grieveson and Haidee Wasson  xi

Making Cinema Knowable  

Cinema Studies and the Conduct of Conduct / Lee Grieveson  3

Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson  38

"Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick  66

Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan  93

Making Cinema Educational  

Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson  121

Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland  149

Experimental Film and the Development of Film Study in America / Michael Zryd  182

From Cinephilia to Film Studies / Laura Mulvey and Peter Wollen  217

Making Cinema Legible  

Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest  235

Screen and 1970s Film Theory / Philip Rosen  264

(Re)Inventing Camera Obscura / Amelia Hastie, Lynne Joyrich, Patricia White, and Sharon Willis  298

Little Books / Mark Betz  319

Making and Remaking Cinema Studies  

Footstool Film School: Home Entertainment as Home Education / Alison Trope  353

Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick  374

Appendix  

Timeline for a History of Anglophone Film Culture and Film Studies / Stephen Groening  399

Selected Bibliography  419

About the Contributors  425

Index  429

Lee Grieveson

Haidee Wasson

Mark Lynn Anderson

Zoë Druick

Dana Polan

Charles R. Acland

Michael Zryd

Laura Mulvey

Peter Wollen

Haden Guest

Philip Rosen

Amelie Hastie

Lynne Joyrich

Patricia White

Sharon Willis

Mark Betz

Alison Trope

D. N. Rodowick

Stephen Groening

“Inventing Film Studies is essential reading for anyone interested in the history of film studies as an academic endeavor. . . . [I]t clearly sets the agenda for further research into the history of film studies. The editors also more than adequately fulfill their goal of identifying the intellectual and institutional spaces where film studies first germinated.”—Jan-Christopher Horak, Screening the Past

“[A] lively collection. . . . Of equal interest to scholars and nonspecialists, this volume should be in all serious film collections. Highly recommended. All readers, all levels.”—G. A. Foster, Choice

“[T]he book is the first to seek to tell the story of this discipline from its birth in the early twentieth-century to the present. . . . Inventing Film Studies . . . will be of interest to academics working in many different areas of cinema studies.”—Matthew Campora, M/C Reviews

“[F]or a field that doesn’t look into its own past or genealogize its own methodological assumptions with the regularity of other disciplines. . .Inventing Film Studies represents an excellent opportunity for solidifying underdocumented or underknown histories, and taking stock of where to go next.”—Michael Sicinski, Cineaste

“Inventing Film Studies goes a long way toward redressing claims by historians such as Eric Smoodin that film studies is one of the most under-historicized disciplines in the humanities. In conjunction with other recently published works, the pluralistic history of motion picture study is beginning
to be mapped out by Grieveson and Wasson’s excellent anthology.”—Stephen Michael Charbonneau, International Journal of Communication

“The collection’s fourteen essays focus on specific episodes in the Anglo study of film; however, the cumulative effect produces a rich mosaic of film studies, a field that has always been porous, interdisciplinary, and bound to other institutions. . . . Inventing Film Studies is a tremendous contribution to the field and should be welcomed by the community of film and media scholars.”—Eric Hoyt, The Moving Image

“Inventing Film Studies is essential reading for anyone interested in the history of film studies as an academic endeavor. . . . [I]t clearly sets the agenda for further research into the history of film studies. The editors also more than adequately fulfill their goal of identifying the intellectual and institutional spaces where film studies first germinated.”—Jan-Christopher Horak, Screening the Past

“[A] lively collection. . . . Of equal interest to scholars and nonspecialists, this volume should be in all serious film collections. Highly recommended. All readers, all levels.”—G. A. Foster, Choice

“[T]he book is the first to seek to tell the story of this discipline from its birth in the early twentieth-century to the present. . . . Inventing Film Studies . . . will be of interest to academics working in many different areas of cinema studies.”—Matthew Campora, M/C Reviews

“[F]or a field that doesn’t look into its own past or genealogize its own methodological assumptions with the regularity of other disciplines. . .Inventing Film Studies represents an excellent opportunity for solidifying underdocumented or underknown histories, and taking stock of where to go next.”—Michael Sicinski, Cineaste

“Inventing Film Studies goes a long way toward redressing claims by historians such as Eric Smoodin that film studies is one of the most under-historicized disciplines in the humanities. In conjunction with other recently published works, the pluralistic history of motion picture study is beginning
to be mapped out by Grieveson and Wasson’s excellent anthology.”—Stephen Michael Charbonneau, International Journal of Communication

“The collection’s fourteen essays focus on specific episodes in the Anglo study of film; however, the cumulative effect produces a rich mosaic of film studies, a field that has always been porous, interdisciplinary, and bound to other institutions. . . . Inventing Film Studies is a tremendous contribution to the field and should be welcomed by the community of film and media scholars.”—Eric Hoyt, The Moving Image

“This is the best film book that I’ve read in years. It covers the history of film studies, certainly the least historicized discipline in the humanities and social sciences. Contributors show that the field dates at least to the early twentieth century and that it can be traced through a number of institutions: not just the academy but also government, the museum, and the publishing industry, to name just three. Lee Grieveson and Haidee Wasson have produced a book that will change the way film scholars think about their field.”—Eric Smoodin, co-editor of Looking Past the Screen: Case Studies in American Film History and Method

“This collection contributes new understandings to the history of film studies, particularly regarding the discipline’s development in the humanities and its gradual abandonment of the methodological practices of the social sciences, in which it had its origins. Inventing Film Studies will be welcomed by academics working in cinema studies, and it will provide new entrants to the field with an important introduction to the history of their study.”—Richard Maltby, author of Hollywood Cinema

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