Acknowledgments  vii

Introduction  1

1. Scenes of Liveness and Deadness  28

2. Sonic Maps of the Japanese Underground  64

3. Listening to Noise in Kansai  92

4. Genre Noise  117

5. Feedback, Subjectivity, and Performance  139

6. Japanoise and Technoculture  169

7. The Future of Cassette Culture  198

Epilogue: A Strange History  227

Notes  235

References  259

Index  279

"David Novak goes inside the Noise scene and presents an astounding perspective: historically astute, inspired, and completely shell-shocked."—Thurston Moore, Sonic Youth

"Edgy, compelling, and sharply insightful, this is the definitive book on 'Japanoise.' Drawing on his personal involvement in Noise scenes across two continents and over two decades, David Novak takes readers into the experience of Noise: its production and performance through apparati of wires, pedals, amplifiers, and tape loops, through its intensity on the stage and in one's ears and body."—Anne Allison, author of Precarious Japan

"This is a striking book: theoretically exciting, aesthetically intriguing, and well crafted. Japanoise is an extreme case study of modern musical subjectivity that demonstrates how core cultural ideas are formed on the fringe. David Novak's treatment of circulation as embedded in the creative process will shift the debate in ethnomusicology, popular music studies, and global media studies."—Louise Meintjes, author of Sound of Africa! Making Music Zulu in a South African Studio

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