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  • Introduction: Out Takes / Ellis Hanson  
    Cruise Control: Rethinking Masculinity in Classic Cinema  
    Queering the Deal: On the Road with Hope and Crosby / Steven Cohan  
    The Queer Aesthete, the Diva, and The Red Shoes / Alexander Doty  
    Rear Window's Glasshole / Lee Edelman  
    Visual Pleasure in 1959 / D. A. Miller  
    Lesbian Looks: Desire, Identification, Fantasy  
    Cassandra's Eyes / Bonnie Burns  
    "That Ain't All She Ain't": Doris Day and Queer Performativity / Eric Savoy  
    Lesbians Who Bite / Ellis Hanson  
    Heavenly Creatures in Godzone / Michelle Elleray  
    Queering the Reel: Sexual Politics and Independent Cinema  
    White Neurotics, Black Primitives, and the Queer Matrix of Borderline / Jean Walton  
    Scandalous! Kenneth Anger and the Prohibitions of Hollywood History / Matthew Tinkcom  
    Queer Period: Derek Jarman's Renaissance / Jim Ellis  
    Forbidden Love: Pulp as Lesbian History / Amy Villarejo  
    Bibliography  
    Index  
    Contributors  
  • Ellis Hanson

    Steven Cohan

    Alexander Doty

    Lee Edelman

    D. A. Miller

    Eric Savoy

    Michelle Elleray

    Jean Walton

    Matthew Tinkcom

    Amy Villarejo

  • “Ultimately, Out Takes is important for two reasons. First, it demonstrates the potential of using queer theory for a radical re-reading of identity and subjectivity. . . . Second, the readings in this anthology have larger political implications. Could we not apply the same type of reading to the homophobic speeches of Newt Gingrich or the homosexual panic that underlies the right wing’s concern with political correctness on college campuses? . . . Out Takes helps further our understanding that ‘queerness’ lies not on the margins of our society at all, but instead is inextricably bound with every aspect of it.”—New Art Examiner

    “Taking a fresh look at significant gay films . . . Out Takes challenges readers to consider provocative issues about gay identity and sexuality that are now at the forefront of academic debate.”—Filmbill

    “[W]ell designed, readable and illustrated with frame enlargements. The contributions retain the best aspects of queer theory's appealing revision of the past, revealing examination of the present and weather eye on the future. The volume is also welcome in that it is not purely located in the labyrinthine psychoanalytic underworld where much similar work tends to be found, and many of the contributions retain the sense of humour that is happily part of much of queer theory's style.”—Mark Brownrigg, Scope

    "[Hanson] makes important interventions in film studies while working to open up dialogue across a number of discourses. . . . [T]he essays in OutTakes . . . [offer] rigorous and nuanced discussions of classic cinema, challenging earlier conceptions of homoeroticism in mainstreaming representations."—Sue Scheibler, Signs

    Reviews

  • “Ultimately, Out Takes is important for two reasons. First, it demonstrates the potential of using queer theory for a radical re-reading of identity and subjectivity. . . . Second, the readings in this anthology have larger political implications. Could we not apply the same type of reading to the homophobic speeches of Newt Gingrich or the homosexual panic that underlies the right wing’s concern with political correctness on college campuses? . . . Out Takes helps further our understanding that ‘queerness’ lies not on the margins of our society at all, but instead is inextricably bound with every aspect of it.”—New Art Examiner

    “Taking a fresh look at significant gay films . . . Out Takes challenges readers to consider provocative issues about gay identity and sexuality that are now at the forefront of academic debate.”—Filmbill

    “[W]ell designed, readable and illustrated with frame enlargements. The contributions retain the best aspects of queer theory's appealing revision of the past, revealing examination of the present and weather eye on the future. The volume is also welcome in that it is not purely located in the labyrinthine psychoanalytic underworld where much similar work tends to be found, and many of the contributions retain the sense of humour that is happily part of much of queer theory's style.”—Mark Brownrigg, Scope

    "[Hanson] makes important interventions in film studies while working to open up dialogue across a number of discourses. . . . [T]he essays in OutTakes . . . [offer] rigorous and nuanced discussions of classic cinema, challenging earlier conceptions of homoeroticism in mainstreaming representations."—Sue Scheibler, Signs

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  • Description

    This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the “politics of representation” has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ the approaches of queer theory to move beyond conventional readings and to reexamine aspects of the cinematic gaze in relation to queer desire and spectatorship.

    The essays examine a wide array of films, including Calamity Jane, Rear Window, The Hunger, Heavenly Creatures, and Bound , and discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire—especially with respect to the role of women—in classic cinema of the 1940s and 1950s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.D., Kenneth Anger, and Derek Jarman.

    By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies.

    Contributors. Bonnie Burns, Steven Cohan, Alexander Doty, Lee Edelman, Michelle Elleray, Jim Ellis, Ellis Hanson, D. A. Miller, Eric Savoy, Matthew Tinkcom, Amy Villarejo, Jean Walton

    About The Author(s)

    Ellis Hanson is Assistant Professor of English at Cornell University.

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