Illustrations  ix

Preface and Acknowledgments  xiii

Introduction. Sentiment, Sensation, Visual Culture, and Radical World Movements, 1886–1927  1

Part I. Global Haymarkket  

1. Looking at State Violence: Lucy Parsons, José Martí, and Haymarket  35

2. From Haymarket to the Mexican Revolution: Anarchists, Socialists, Wobblies, and Magonistas  71

Part II. Revolutionary US-Mexico Borderlands  

3. Sensational Socialism, the Horrors of the Porfiriato, and Mexico's Civil Wars  111

4. The End(s) of Barbarous Mexico on the Boundaries of Revolutionary Internationalism  151

Part III. Black Radical New York City  

5. Sensational Counter-Sensationalisms: Black Radicals Struggle Over Mass Culture  173

6. Archiving Black Transnational Modernity: Scrapbooks, Stereopticons, and Social Movements  193

7. "Wanted—A Colored International": Hubert H. Harrison, Marcus Garvey, and Modern Media  229

Epilogue. Deportation Scenes  251

Notes  269

Bibliography  305

Index  323

"Radical Sensations is superb scholarship in every way. It engages many emerging currents in contemporary scholarship but has the field of transnational radicalism between 1886 and 1927 all to itself. Among its many contributions, a singularly important one is Shelley Streeby's explanation of why culture counts and how history happens. Part of politics is the production and management of affect. Streeby shows how sentiment and sensation became the lingua franca of American politics in the nineteenth century, with mixed results for radical social movements. The very discourses of sentiment and sensationalism that enabled some radical critiques to gain traction with the masses hobbled others by letting sympathy substitute for social justice."—George Lipsitz, author of How Racism Takes Place

"This is a brilliantly conceived book, filled with novel insights into the ways that new media and visual technologies intersected with and enabled what Shelley Streeby aptly terms 'the proliferation of rival world visions and internationalisms’ of the late nineteenth century and early twentieth. Radical Sensations is the book that I have been waiting to teach in courses on U.S. history or transnational methodology."—Penny M. Von Eschen, author of Race against Empire: Black Americans and Anticolonialism, 1937–1957

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