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  • Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording

    Author(s): David Grubbs
    Published: 2014
    Pages: 256
    Illustrations: 19 photographs
  • Paperback: $23.95 - Forthcoming in March 2014
    978-0-8223-5590-8
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  • Cloth: $84.95 - Forthcoming in March 2014
    978-0-8223-5576-2
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  • "Records Ruin the Landscape is a pleasure to read, full of wonderful anecdotes and historical material. David Grubbs approaches John Cage and his legacy from a new and refreshing angle, by examining the vexed relationship of experimental and improvised music to recording and phonography. The questions that he poses—about the ontology and potentiality of recording in relation to live performance, improvisation, chance, and indeterminacy—are important, and he answers them in smart and provocative ways."—Christoph Cox, coeditor of Audio Culture: Readings in Modern Music

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  • Description

    John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill-suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?

    In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings, but also in even greater volume through Internet file-sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, David Grubbs surveys a musical landscape marked by altered listening practices.

    About The Author(s)

    David Grubbs is Associate Professor in the Conservatory of Music at Brooklyn College, CUNY, where he also teaches in the M.F.A. programs in Performance and Interactive Media Arts and Creative Writing. As a musician, he has released twelve solo albums and appeared on more than 150 commercially-released recordings. Grubbs was a founding member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has appeared on recordings by the Red Krayola, Tony Conrad, Pauline Oliveros, Will Oldham, and Matmos, among other artists. He is known for cross-disciplinary collaborations with the writers Susan Howe and Rick Moody and the visual artists Anthony McCall, Angela Bulloch, and Stephen Prina. Grubbs is a grant recipient in music/sound from the Foundation for Contemporary Arts and has contributed writing to The Wire, Bookforum, and the Süddeutsche Zeitung.
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