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  • Street Level: Mark Bradford, William Cordova & Robin Rhode

    Author(s): Trevor Schoonmaker
    Pages: 96
    Illustrations: 30 color illustrations
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  • Preface and Acknowledgments / Kimerly Rorsach   xi
    Curator's Acknowledgments / Trevor Schoonmaker   xiii
    Introduction: Street Level / Trevor Schoonmaker   3
    Mark Bradford: The Evidence of Things Not Seen / Sarah Lewis   13
    William Cordova: Everything You Can't Leave Behind / Trevor Schoonmaker   33
    Robin Rhode: Hitting the Pavement / Isolde Brielmaier   55
    Checklist of the Exhibition   75
    About the Artists   78
    About the Contributors   80
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  • Description

    Street Level: Mark Bradford, William Cordova & Robin Rhode examines the work of three early-career contemporary artists for whom the streets of their respective cities act as fluid, living sources of inspiration. The full-color catalog accompanies the three-person exhibition on view from March 29, 2007 through July 29, 2007 at Duke University’s Nasher Museum of Art. For these artists, found objects and performative gestures help build the foundation for their art, which includes painting, works on paper, sculpture, photography, video, installation, and other mixed media. Together they reinterpret the urban vernacular to engage critical issues of class, geography, and race in contemporary society.

    Mark Bradford is best known for abstract collages made largely from accumulated signage taken from the streets of South Central Los Angeles that he tears, bleaches, sands, and embellishes to reconfigure the urban landscape. These visible remains and the residual human energy in urban spaces become the foundation of Bradford’s work. William Cordova works primarily with found paper and everyday objects to create drawings and mixed-media installations; some materials and iconography—such as books, speakers, tires, and albums—are recurring images that allude both to Cordova’s Peruvian heritage and modern urban subcultures. Inspired by graffiti, film, sports, and hip-hop, as well as his personal experiences in the rough neighborhoods of Johannesburg, South Africa, Robin Rhode’s performances involve the build-up and erasure of chalk drawings on the walls of public spaces and galleries that playfully transform his renderings into illusory three-dimensional objects through the artist’s physical engagement. This richly illustrated catalog includes an essay about each artist.

    About The Author(s)

    Trevor Schoonmaker is Curator of Contemporary Art at the Nasher Museum of Art at Duke University. A founder of the Brooklyn Institute of Contemporary Art, he was previously an independent curator in New York. He is the editor of Fela: From West Africa to West Broadway and Black President: The Art and Legacy of Fela Anikulapo-Kuti.