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  • Acknowledgments  vii
    Foreword: A Walker in the City: Maeda Ai and the Mapping of Urban Space / Harry Harootunian  xi
    Introduction: Refiguring the Modern: Maeda Ai and the City / James A Fujii   1
    LIGHT CITY, DARK CITY: VISUALIZING THE MODERN   
    1. Utopia of the Prisonhouse: A Reading of In Darkest Tokyo / Seiji M. Lippit and James A. Fujii   21
    2. The Panorama of Enlightenment / Henry D. Smith II  65
    3. The Spirits of Abandoned Gardens: On Nagai Kafus The Fox / William F. Sibley   91
    PLAY, SPACE, AND MASS CULTURE  
    4. Their Time as Children: A Study of Higuchi Ichiyos Growing Up (Takekurabe) / Edward Fowler   109
    5. Asakusa as Theater Kawabata Yasunaris The Crimson Gang of Asakusa / Edward Fowler  145
    6. The Development of Popular Fiction in the Late Taisho Era: Increasing Readership of Womens Magazines / Rebecca Copeland  163
    TEXT, SPACE, VISUALITY  
    7. From Communal Performance to Solitary Reading: The Rise of the Modern Japanese Reader / James A. Fujii  223
    8. Modern Literature and the World of Printing / Richard Okada  255
    CROSSING BOUNDARIES IN URBAN SPACE  
    9. Ryuhoku in Paris / Matthew Fraleigh  275
    10. Berlin 1888: Mori Ogais Dancing Girl / Leslie Pincus  295
    11. In the Recesses of the High City: On Sosekis Gate / William F. Sibley  329
    Afterword / Wiliam F. Sibley  351
    Contributors   375
    Index   377
  • Harry Harootunian

    Seiji M. Lippit

    James A. Fujii

    Henry D. Smith II

    Edward Fowler

    Rebecca Copeland

    Richard H. Okada

    Matthew Fraleigh

    Leslie Pincus

    William F. Sibley

  • "James Fujii, in compiling this collection of key critical essays by the influential literary critic Maeda Ai (1932-87), provides the field with arguments and data that have transformed the way that many scholars in Japan (and elsewhere) study modern Japanese literature. In so doing, he makes a major contribution to the small but growing body of Japanese literary criticism in translation. . . This is a painstakingly translated and edited text; Fujii and the other translators are to be commended for the rigor with which they approached these dense texts. The translations are meticulously annotated, and errors (to my eye at least) are remarkably rare, given the complexity of the original. Maeda's contribution not only as a literary scholar but also as a cultural and intellectual historian is exceedingly well captured in this collection. I hope that those who are taken by the erudition and rigor represented here will look into the rest of Maeda's oeuvre, of which this volume presents a compelling initial taste."—Edward Mack, Journal of Asian Studies

    "This collection of texts not only makes accessible the work of an outstanding Japanese scholar of literature, urban geography, and material culture in a format that even Japanese readers of the original might envy, it also represents an attempt to help redress the imbalance in the transfer of intellectual information from West to East."—Irmela Hijiya-Kirschnereit, Monumenta Nipponica

    "[A] significant contribution to the criticism in English on modern Japanese literature. . . . [T]imely. . . . Scholars of other literatures who are concerned with the representation of urban space, the historical investigation of reading and publishing, and the intersections of literature and social thought will profit from Maeda's essay collection."—Christopher Hill, Modern Language Quarterly

    "While Maeda's essays are of obvious interest to students of Japanese language, literature and contemporary culture, the real significance of this book is, in my view, its attempt to locate Maeda's work in a far wider world. If Maeda was a new kind of ethnographer, he was also one whose ethnography was describing a new way of looking at the study of modernity, and it is in this context that his work deserves wider recognition and study."—Andrea Dahlberg, Leonardo Reviews

    "The editor's selections . . . respect Maeda's career-long interests and preferences. . . . Text and the City presents Maeda Ai as a fully engaged scholar and critic. . . . We should be grateful for his example and his practice, as we should be for the appearance of this awaited and valuable volume of his work."—Paul Anderer, Journal of Japanese Studies

    "The translations seem uniformly well executed. James Fujii has written an extensive and very useful introduction that places Maeda in his own cultural context. . . . [T]his book will hopefully do much to spread his insights into the broader academic community."—Stephen Dodd, Bulletin of the School of Oriental & African Studies

    "In collecting, translating, and introducing a selection of Maeda's landmark essays, editor James A. Fujii and his able team of translators have brought to the English-reading world some of the most stimulating and influential works of late twentieth-century Japanese literary criticism. . . . anyone with a serious interest in issues of literature and media; script, print and orality; visual culture; and global modernity; or anyone who enjoys the rich and detailed explication of literary texts, should not hesitate to seek out the work of this intrepid literary scholar."—William O. Gardner, Bryn Mawr Review of Comparative Literature

    Reviews

  • "James Fujii, in compiling this collection of key critical essays by the influential literary critic Maeda Ai (1932-87), provides the field with arguments and data that have transformed the way that many scholars in Japan (and elsewhere) study modern Japanese literature. In so doing, he makes a major contribution to the small but growing body of Japanese literary criticism in translation. . . This is a painstakingly translated and edited text; Fujii and the other translators are to be commended for the rigor with which they approached these dense texts. The translations are meticulously annotated, and errors (to my eye at least) are remarkably rare, given the complexity of the original. Maeda's contribution not only as a literary scholar but also as a cultural and intellectual historian is exceedingly well captured in this collection. I hope that those who are taken by the erudition and rigor represented here will look into the rest of Maeda's oeuvre, of which this volume presents a compelling initial taste."—Edward Mack, Journal of Asian Studies

    "This collection of texts not only makes accessible the work of an outstanding Japanese scholar of literature, urban geography, and material culture in a format that even Japanese readers of the original might envy, it also represents an attempt to help redress the imbalance in the transfer of intellectual information from West to East."—Irmela Hijiya-Kirschnereit, Monumenta Nipponica

    "[A] significant contribution to the criticism in English on modern Japanese literature. . . . [T]imely. . . . Scholars of other literatures who are concerned with the representation of urban space, the historical investigation of reading and publishing, and the intersections of literature and social thought will profit from Maeda's essay collection."—Christopher Hill, Modern Language Quarterly

    "While Maeda's essays are of obvious interest to students of Japanese language, literature and contemporary culture, the real significance of this book is, in my view, its attempt to locate Maeda's work in a far wider world. If Maeda was a new kind of ethnographer, he was also one whose ethnography was describing a new way of looking at the study of modernity, and it is in this context that his work deserves wider recognition and study."—Andrea Dahlberg, Leonardo Reviews

    "The editor's selections . . . respect Maeda's career-long interests and preferences. . . . Text and the City presents Maeda Ai as a fully engaged scholar and critic. . . . We should be grateful for his example and his practice, as we should be for the appearance of this awaited and valuable volume of his work."—Paul Anderer, Journal of Japanese Studies

    "The translations seem uniformly well executed. James Fujii has written an extensive and very useful introduction that places Maeda in his own cultural context. . . . [T]his book will hopefully do much to spread his insights into the broader academic community."—Stephen Dodd, Bulletin of the School of Oriental & African Studies

    "In collecting, translating, and introducing a selection of Maeda's landmark essays, editor James A. Fujii and his able team of translators have brought to the English-reading world some of the most stimulating and influential works of late twentieth-century Japanese literary criticism. . . . anyone with a serious interest in issues of literature and media; script, print and orality; visual culture; and global modernity; or anyone who enjoys the rich and detailed explication of literary texts, should not hesitate to seek out the work of this intrepid literary scholar."—William O. Gardner, Bryn Mawr Review of Comparative Literature

  • “Despite lamentably premature death of Maeda Ai in 1987, his works have left an incontrovertible mark on the study of early modern and modern Japanese literature. Adopting liberally from phenomenological hermeneutics, cultural anthropology, structural semiotics and marxist literary studies, Maeda invented new ways of inquiring into the historicity of ‘literature’ and articulated the scope of literary studies to other domains in the human and social sciences, thereby leading a number of young scholars of Japan in the United States in the direction of what would be generally recognized as ‘cultural studies.’ In the fields of trans-Pacific Japanese studies, it is no exaggeration to say that Maeda accomplished something comparable to what Raymond Williams did in the English-speaking world.”—Naoki Sakai, Cornell University

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  • Description

    Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today.

    Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

    About The Author(s)

    Maeda Ai (1931–1987) was a renowned Japanese literary and cultural critic. He taught at Rikkyo University. His many books include the three-volume The Space of Tokyo 1868-1930 (1986), The World of Higuchi Ichiyo (1978), Meiji as Phantasm (1978), and The Creation of the Modern Reader (1973).
    James A. Fujii is Associate Professor in the Department of East Asian Languages and Literature at the University of California, Irvine. He is the author of Complicit Fictions: The Subject in the Modern Japanese Prose Narrative.

    James A. Fujii is Associate Professor in the Department of East Asian Languages and Literature at the University of California, Irvine. He is the author of Complicit Fictions: The Subject in the Modern Japanese Prose Narrative.
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