Acknowledgments  ix

Introduction. What is the Aesthetics of Shadow?  1

1. Lighting and Capitalist-Industrial Modernity: Shochiku and Hollywood  15

2. Flashes of the Sword and the Star: Shochiku and Jidaigeki  67

3. Street Films: Shochiku and Germany  119

4. The Aesthetics of Shadow: Shochiku, Tohu, and Japan  173

Conclusion. The Cinematography of Miyagawa Kazuo  255

Notes  283

Bibliography  329

Index  365

“Film-history texts can often be dull, lack real insight beyond a litany of factual information, and plod along to foregone conclusions, structured as simply a lecture, where content overrides form. Daisuke Miyao's The Aesthetics of Shadow: Lighting and Japanese Cinema isn't only an exception to these rules, but establishes a benchmark for which contemporary film-history research should aim…[H]e achieves this, at least in part, by structuring his scholarship as more of a thriller, than merely the standard (and soporific) fact-upon-fact approach.” —Clayton Dillard, Slant Magazine

“Film-history texts can often be dull, lack real insight beyond a litany of factual information, and plod along to foregone conclusions, structured as simply a lecture, where content overrides form. Daisuke Miyao's The Aesthetics of Shadow: Lighting and Japanese Cinema isn't only an exception to these rules, but establishes a benchmark for which contemporary film-history research should aim…[H]e achieves this, at least in part, by structuring his scholarship as more of a thriller, than merely the standard (and soporific) fact-upon-fact approach.” —Clayton Dillard, Slant Magazine

"The Aesthetics of Shadow tracks through Japanese film history with an eye on the cultural and technological underpinnings of aesthetic change. Many people have written on the aesthetic transformations of Japanese film in the first half of the twentieth century, but no one has done it with such close attention to the material basis of cinema. It is a refreshingly new approach to Japanese history. Daisuke Miyao delivers a lively and fascinating account of cinematography in the first half century of Japanese cinema."—Abé Mark Nornes, author of Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary

"The Aesthetics of Shadow is sophisticated and superbly researched, breaking new ground with the richness of its historical detail. Daisuke Miyao's innovative approach opens up the field beyond the usual focus on genre, stars, and key authors. It will serve as an example for the writing of histories outside of Japanese cinema."—Frances Guerin, author of A Culture of Light: Cinema and Technology in 1920s Germany

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