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  • The American Dance Festival

    Author(s): Jack Anderson
    Pages: 334
  • Cloth: $54.95 - Not In Stock
    978-0-8223-0683-2
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  • Introduction and Acknowledgments   ix
    I. The Founding of the Festival  1
    II. Season by Season: 1948 to 1958  2
    III. Overview 1948 to 1958: A Festival in Connecticut  53
    IV. Season by Season: 1959 to 1968  73
    V. Overview 1959 to 1968: A Steady, Secure Place  113
    VI. Season by Season: 1969 to 1977  129
    VII. Overview 1969 to 1977: A New Beginning  172
    VIII. Season by Season: 1978 to 1985  183
    IX. Since 1978: A New Home  226
    Festival Chronicle   241
    Notes  288
    Selected Bibliography  307
    Index  310
  • "From the noble visions of José Limon through the apparently anarchic abstractions of Merce Cunningham and on to the multimedia symbolism of Meredith Monk and the acrobatic tricks of Pilobolus, Jack Anderson surveys 38 summers of landmark performances of modern dance. The American Dance Festival, founding at Connecticut College in New London in 1948 and transferred to Duke University in Durham, NC (1977), has served as both a school and a theater. Attracting the most creative personalities in the field, the festival has stimulated and developed the talents that shape the course of art."The New York Times

    Reviews

  • "From the noble visions of José Limon through the apparently anarchic abstractions of Merce Cunningham and on to the multimedia symbolism of Meredith Monk and the acrobatic tricks of Pilobolus, Jack Anderson surveys 38 summers of landmark performances of modern dance. The American Dance Festival, founding at Connecticut College in New London in 1948 and transferred to Duke University in Durham, NC (1977), has served as both a school and a theater. Attracting the most creative personalities in the field, the festival has stimulated and developed the talents that shape the course of art."The New York Times

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  • Description

    The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.

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