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"From the noble visions of José Limon through the apparently anarchic abstractions of Merce Cunningham and on to the multimedia symbolism of Meredith Monk and the acrobatic tricks of Pilobolus, Jack Anderson surveys 38 summers of landmark performances of modern dance. The American Dance Festival, founding at Connecticut College in New London in 1948 and transferred to Duke University in Durham, NC (1977), has served as both a school and a theater. Attracting the most creative personalities in the field, the festival has stimulated and developed the talents that shape the course of art."—The New York Times
"From the noble visions of José Limon through the apparently anarchic abstractions of Merce Cunningham and on to the multimedia symbolism of Meredith Monk and the acrobatic tricks of Pilobolus, Jack Anderson surveys 38 summers of landmark performances of modern dance. The American Dance Festival, founding at Connecticut College in New London in 1948 and transferred to Duke University in Durham, NC (1977), has served as both a school and a theater. Attracting the most creative personalities in the field, the festival has stimulated and developed the talents that shape the course of art."—The New York Times
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The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.