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  • Paperback: $23.95 - Forthcoming in March 2014
    978-0-8223-5620-2
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  • Cloth: $84.95 - Forthcoming in March 2014
    978-0-8223-5605-9
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  • Acknowledgments  vii
    Introduction. Reading Race, Reading Pornography  1
    1. Archives of Pain: Reading the Black Feminist Theoretical Archive  27
    2. Speaking Sex / Speaking Race: Lialeh and the Blax-porn-tation Aesthetic  59
    3. Race-Pleasures: Sexworld and the Ecstatic Black Female Body  83
    4. Laughing Matters: Race-Humor on the Pornographic Screen  107
    5. On Refusal: Racial Promises and the Silver Age Screen  128
    Conclusion. Reading Ecstasy  146
    Notes  153
    Bibliography  181
    Index  213
  • "In The Black Body in Ecstasy, Jennifer C. Nash abandons a long-standing framework in black feminist criticism: that pornography is bad to and for black women. She boldly reads pornography for black women's ecstasy. Through careful analysis of key films from porn's golden era, Nash develops an argument that is innovative, fearless, and, ultimately, affirming of possibilities for black women's bodies, fantasies, and sexual lives."—Nicole Fleetwood, author of Troubling Vision: Performance, Visuality and Blackness

    "This is an important book and its readers will know it. The first chapter on black feminist theories of representation brilliantly contextualizes the political stakes of the book's commitment to black women's pleasure. I predict that The Black Body in Ecstasy will be considered the most definitive statement to date on black feminist theory's engagement with visual representation."—Robyn Wiegman, author of Object Lessons

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  • Description

    In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography focused on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions—between delight and discomfort, between desire and degradation—at the heart of black pleasures.

    About The Author(s)

    Jennifer C. Nash is Assistant Professor of American Studies and Women's Studies at George Washington University.
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