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The Limits of Ferocity: Sexual Aggression and Modern Literary Rebellion
- Author(s): Daniel Fuchs
- Published: 2011
- Pages: 416
- Illustrations: 0
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- Acknowledgments ix
- Introduction 1
- 1. Freud and the Postwar Temper 11
- 2. Freud and Others on Aggression 24
- 3. Wilhelm Reich 40
- 4. Norman O. Brown 53
- 5. Deleuze and Guattari 67
- Interchapter. Deleuze and Guattari on Lawrence and Miller 88
- 6. The Marquis de Sade 102
- 7. D. H. Lawrence 145
- 8. Georges Bataille 194
- Interchapter. Bataille on Sade 224
- 9. Henry Miller 232
- Interchapter. Miller on Lawrence 271
- 10. Norman Mailer 293
- Interchapter. Mailer on Mailer 332
- Conclusion. The Naked and the Clothed 346
- Notes 363
- Index 391
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“The Limits of Ferocity is a fascinating and essential book for the student of modernity. Daniel Fuchs identifies one of the key strands in modernist thought and cultural behavior in this authoritative, intellectually sophisticated treatment of modernist outrage at the repressions and civilized limits implied in Freud’s theory of the superego, and of the anti-bourgeois attempts of many modernists to go beyond all such boundaries and limits through utopian sexual transcendence. This is interdisciplinary cultural/historical critique at its best.”—Gloria L. Cronin, author of A Room of His Own: In Search of the Feminine in the Novels of Saul Bellow
“An epic achievement, The Limits of Ferocity is a significant contribution to the study of modern fiction and to psychoanalytic criticism. Daniel Fuchs yokes familiar writers and thinkers together in a new way, making us rethink their relationship.”—Andrew Gordon, author of An American Dreamer: A Psychoanalytic Study of the Fiction of Norman Mailer
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Description
The Limits of Ferocity is a powerful critique of the culture of extremity represented in the works of D. H. Lawrence, Georges Bataille, Henry Miller, and Norman Mailer. Daniel Fuchs provides close readings of their literary and intellectual texts, which convey a loathing of middle-class culture or, as the case may be, society itself, in favor of a rebellion often expressed as an aggressive, even apocalyptic, sexuality. The Marquis de Sade is the precursor of this literature, which idealizes the self that violates taboos and laws in the search for erotic transcendence. Fuchs shows as well how these writers reflected and contributed to a broader cultural assault on liberal moderation and Freudian humanism. He explains Freud’s theories of culture and sexual aggression and describes how they were rejected or reworked, sometimes in favor of a liberating violence, by theorists including Wilhelm Reich, Norman O. Brown, and Gilles Deleuze and Félix Guattari. Fuchs concludes with a reflection on books by William Burroughs, Bret Easton Ellis, and the sociologist Philip Rieff. This absorbing study illuminates the utopianism and narcissism in works of intellectual and artistic “ferocity” that characterized the turn in American consciousness from the period after the Second World War to the late 1960s and 1970s.
About The Author(s)
Daniel Fuchs is Professor Emeritus of English at the City University of New York’s College of Staten Island. He is the author of Saul Bellow: Vision and Revision and The Comic Spirit of Wallace Stevens, both also published by Duke University Press.