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  • Preface to the English Edition  vii
    Translator's Preface  xi
    1. The Project of Renewing Childhood by Transforming One's Life  1
    2. Critical Theory  11
    3. Reason's Self-Criticism  18
    Defined Negation  20
    The Two Faces of Enlightenment  26
    4. Rescuing What is Beyond Hope  34
    Philosophy from the Perspective of Redemption  34
    Primacy of the Object  38
    5. The Totally Socialized Society  51
    The Concept of Society  52
    Liquidation of the Individual  58
    Critical Theory on Morality  68
    6. The Goal of the Emancipated Society  77
    7. The Powerless Utopia of Beauty  91
    The Destruction and Salvation of Art  93
    The Silence of Music  102
    The Transition from Art to Knowledge  109
    Theorizing Art and Culture in the Institute for Social Research  112
    Benjamin and Kracauer: Theorizing Mass Art  120
    Anarchistic and Bourgeois Romanticism: Adorno's Critique of Benjamin  125
    The Work of Art and the Concept of Truth  128
    8. The Failure of Culture  136
    The Radically Pathetic and Guilty Culture  137
    Enlightenment as Mass Deception  144
    Biographical Timeline  159
    Notes  163
    Bibliography  171
    Index  179
  • “This volume by Schweppenhauser is one of the best short books on this elusive and allusive figure, whereas his ‘more selective treatment, thematically via core concepts variously deployed, engages directly with Adorno’s thinking. Successive chapters are ranged dialectically against one another. . . . In short, the book exemplifies Adorno’s non-identity thinking.”—M. Donougho, Choice

    “[Schweppenhäuser’s] book (now expanded and available in English in James Rolleston’s brisk and lucid translation) provides a concise but astonishingly thorough overview of the main elements of Adorno’s thought, while simultaneously highlighting both Adorno’s importance as a thinker and his continued relevance for today.”—Erica Weitzman, German Quarterly

    “[I]t is fair to say that appreciating the brilliance and fecundity of Adorno’s thought remains a difficult challenge. . . . [G]iven the difficulties that are bound to be experienced, any reader new to him is likely to be eternally
    grateful for the existence of Gerard Schweppenhäuser’s introductory volume. . . . Schweppenhäuser’s text is never less than eminently read -
    able and often deeply insightful and it serves to remind us how, in an age dominated by consumerism, this great thinker’s ideas remain deeply relevant.”—Peter Sedgwick, Times Higher Education Supplement

    “[T]his book offers an excellent introduction to the work of Theodor Adorno and can become recommended reading for undergraduate and postgraduate courses in philosophy, literary criticism, aesthetics and political theory. James Rolleston has provided a great service to scholars of all those disciplines by making Schweppenhäuser’s Theodor W. Adorno: An Introduction available to English speaking scholars world-wide.”—Frank D. Casale, Pennsylvania Literary Journal

    “Schweppenhäuser is intimately familiar with the complexity of Adorno’s thought, but he is able to truly translate and introduce these ideas in a remarkably clear, engaging, jargon-free, and highly readable language.”—Shannon Mariotti, Review of Politics

    “The book's general clarity, breadth and depth of understanding make it a valuable, informative and advanced introduction to one of the more complex thinkers of the twentieth century.”—Paul Mazzocchi, Political Studies Review

    “In this work, Schweppenhäuser, through his lucid representation of Adorno’s often esoteric prose, which is augmented by James Rolleston’s exemplary
    translation, and his erudite comparison with similar theorists, presents us
    with an examination of Adorno that remains faithful to the theorist’s own
    commitment to an interdisciplinary and contextually aware approach to
    philosophy.”—Steven Leddin, International Journal of Philosophical Studies

    Reviews

  • “This volume by Schweppenhauser is one of the best short books on this elusive and allusive figure, whereas his ‘more selective treatment, thematically via core concepts variously deployed, engages directly with Adorno’s thinking. Successive chapters are ranged dialectically against one another. . . . In short, the book exemplifies Adorno’s non-identity thinking.”—M. Donougho, Choice

    “[Schweppenhäuser’s] book (now expanded and available in English in James Rolleston’s brisk and lucid translation) provides a concise but astonishingly thorough overview of the main elements of Adorno’s thought, while simultaneously highlighting both Adorno’s importance as a thinker and his continued relevance for today.”—Erica Weitzman, German Quarterly

    “[I]t is fair to say that appreciating the brilliance and fecundity of Adorno’s thought remains a difficult challenge. . . . [G]iven the difficulties that are bound to be experienced, any reader new to him is likely to be eternally
    grateful for the existence of Gerard Schweppenhäuser’s introductory volume. . . . Schweppenhäuser’s text is never less than eminently read -
    able and often deeply insightful and it serves to remind us how, in an age dominated by consumerism, this great thinker’s ideas remain deeply relevant.”—Peter Sedgwick, Times Higher Education Supplement

    “[T]his book offers an excellent introduction to the work of Theodor Adorno and can become recommended reading for undergraduate and postgraduate courses in philosophy, literary criticism, aesthetics and political theory. James Rolleston has provided a great service to scholars of all those disciplines by making Schweppenhäuser’s Theodor W. Adorno: An Introduction available to English speaking scholars world-wide.”—Frank D. Casale, Pennsylvania Literary Journal

    “Schweppenhäuser is intimately familiar with the complexity of Adorno’s thought, but he is able to truly translate and introduce these ideas in a remarkably clear, engaging, jargon-free, and highly readable language.”—Shannon Mariotti, Review of Politics

    “The book's general clarity, breadth and depth of understanding make it a valuable, informative and advanced introduction to one of the more complex thinkers of the twentieth century.”—Paul Mazzocchi, Political Studies Review

    “In this work, Schweppenhäuser, through his lucid representation of Adorno’s often esoteric prose, which is augmented by James Rolleston’s exemplary
    translation, and his erudite comparison with similar theorists, presents us
    with an examination of Adorno that remains faithful to the theorist’s own
    commitment to an interdisciplinary and contextually aware approach to
    philosophy.”—Steven Leddin, International Journal of Philosophical Studies

  • “This superb introduction to Adorno’s complex and difficult work is full of extraordinary insights, which will benefit the old hands as well as the beginners.”—Fredric Jameson, Duke University

    “This is a clear and concise overview of Theodor W. Adorno’s philosophical, political, sociological, and aesthetic thought, written by a brilliant German critical theorist. Gerhard Schweppenhäuser covers all the central topics in Adorno’s writing, shows a firm grasp not only of his work but also of the secondary literature on it, and relates his thought to the more recent theoretical literature that has challenged it.”—George Steinmetz, University of Michigan

    Theodor W. Adorno: An Introduction is a useful survey of Adorno’s thought. It is concise, written in plain language, and focused on the most important topics and themes of the theorist’s work. Gerhard Schweppenhäuser gives basic background about the intellectual and historical context of Adorno’s thought and writings, and he makes a convincing case for the internal coherence of a complex and at times apparently heterogeneous body of work.”—Uwe Steiner, Rice University

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  • Description

    Theodor W. Adorno (1903–1969) was one of the twentieth century’s most important thinkers. In light of two pivotal developments—the rise of fascism, which culminated in the Holocaust, and the standardization of popular culture as a commodity indispensable to contemporary capitalism—Adorno sought to evaluate and synthesize the essential insights of Western philosophy by revisiting the ethical and sociological arguments of his predecessors: Kant, Nietzsche, Hegel, and Marx. This book, first published in Germany in 1996, provides a succinct introduction to Adorno’s challenging and far-reaching thought. Gerhard Schweppenhäuser, a leading authority on the Frankfurt School of critical theory, explains Adorno’s epistemology, social and political philosophy, aesthetics, and theory of culture.

    After providing a brief overview of Adorno’s life, Schweppenhäuser turns to the theorist’s core philosophical concepts, including post-Kantian critique, determinate negation, and the primacy of the object, as well as his view of the Enlightenment as a code for world domination, his diagnosis of modern mass culture as a program of social control, and his understanding of modernist aesthetics as a challenge to conceive an alternative politics. Along the way, Schweppenhäuser illuminates the works widely considered Adorno’s most important achievements: Minima Moralia, Dialectic of Enlightenment (co-authored with Horkheimer), and Negative Dialectics. Adorno wrote much of the first two of these during his years in California (1938–49), where he lived near Arnold Schoenberg and Thomas Mann, whom he assisted with the musical aesthetics at the center of Mann’s novel Doctor Faustus.

    About The Author(s)

    Gerhard Schweppenhäuser is Professor of Design, Communication, and Media Theory at the University of Würzburg in Germany. He has written many books building on the sociocultural, analytical mission of the Frankfurt School, including two focused on Adorno. James L. Rolleston is Professor Emeritus of Germanic Languages and Literatures at Duke University. He has written books on Kafka, Rilke, and modern German poetry. His translation of Bernd Witte’s Walter Benjamin: An Intellectual Biography won the German Literary Prize of the American Translators Association. His and Kai Evers’s translation of Peter Weiss’s last play, The New Trial, is also published by Duke University Press.
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