List of Illustrations  vii

Preface  ix

Acknowledgments  xiii

1. Introduction: Culture, Property, Indigeneity  1

2. Mapping the Terrain  25

3. Indigeneity and Law in the Pacific  45

4. Copyright in Context: Carvers, Carvings, and Commodities in Vanuatu  61

5. Trademarking Maori: Aesthetics and Appropriation in Aotearoa New Zealand  89

6. Pacific Museology and Indigenous Property Theory  121

7. Treasured Commodities: Taonga at Auction  151

8. Pig Banks: Imagining the Economy in Vanuatu  175

Conclusion  207

Notes  217

References  249

Index  283

"In this exciting and original study, Haidy Geismar moves us well beyond the stale and stereotypical dichotomies that characterize too many discussions of intellectual property and indigeneity. She scrutinizes the dynamic ways that ongoing explorations of property models for cultural resources promise to transform understandings of polity and sovereignty."—Rosemary J. Coombe, author of The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law

"Treasured Possessions is a wonderful achievement of presenting the contemporary entanglements of indigeneity with a range of globalizing cultural forms (copyright, trademark, and cultural property), accounting for these articulations as extending local agencies but not simply a pure culture of a past. Haidy Geismar's mastery of the intricacies of cultural forms and histories not only in Vanuatu but also in New Zealand is impressive, detailed, and provocative. It is undertaken in a clear-eyed fashion that shows indigenization is not a simple thing, a single strand, or even always one-directional, but it is a process constituting new alternatives for thinking about culture in the twenty-first century."—Fred R. Myers, author of Painting Culture: The Making of an Aboriginal High Art

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