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  • Directors Foreword  6
    Acknowledgments  7
    1. Introduction  8
    Ancient Mexico  8
    Sources of information  8
    Mosaics in the British Museum  11
    Antecedents in serpentine and jade  14
    The significance of materials  19
    2. Mosaics under the Microscope  24
    Microscopy and analysis: the science behind the art  24
    Raw materials: selection and procurement  27
    Construction of the mosaics  38
    3. The Turquoise Mosaics in the British Museum Collections  42
    The masks  42
    The helmet  53
    The double-headed serpent  54
    The shield  59
    The mosaic on a human skull  66
    The knife  71
    The jaguar  78
    The animal head  83
    Epilogue  85
    Notes  86
    Glossary of scientific techniques  90
    Bibliography  91
    Index  94
    Picture Credits  96
  • “This photographic record is one of the strengths of the book; with clear, concise, descriptive narrative, it brings these mosaic artifacts to life.”—J.J. Borowicz, Choice

    “What makes Turquoise Mosaics From Mexico of special interest to mosaic artists is the information on how and why particular materials were used, their origins and ritual significance. Also very useful for visual artists are the illustrations of multiple views of objects and magnified images of their details. The illustrations allow the reader vantage points typically not seen from texts or even first hand as a museum-goer.”Janet Kozachek, British Association for Modern Mosaics Newsletter

    “The nine Aztec mosaic pieces dealt with in Turquoise Mosaics from Mexico . . . have immense cultural and historic value. . . . Engaging and informative for the general reader, [and] valuable to the specialist. . . . Represents the first comprehensive, scholarly, contextual analysis of the works, providing a timely and much-needed foundation for further related studies in the field.”Heather S. Orr, New Mexico Historical Review

    Reviews

  • “This photographic record is one of the strengths of the book; with clear, concise, descriptive narrative, it brings these mosaic artifacts to life.”—J.J. Borowicz, Choice

    “What makes Turquoise Mosaics From Mexico of special interest to mosaic artists is the information on how and why particular materials were used, their origins and ritual significance. Also very useful for visual artists are the illustrations of multiple views of objects and magnified images of their details. The illustrations allow the reader vantage points typically not seen from texts or even first hand as a museum-goer.”Janet Kozachek, British Association for Modern Mosaics Newsletter

    “The nine Aztec mosaic pieces dealt with in Turquoise Mosaics from Mexico . . . have immense cultural and historic value. . . . Engaging and informative for the general reader, [and] valuable to the specialist. . . . Represents the first comprehensive, scholarly, contextual analysis of the works, providing a timely and much-needed foundation for further related studies in the field.”Heather S. Orr, New Mexico Historical Review

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  • Description

    The nine turquoise mosaics from Mexico are some the most striking pieces in the collections of the British Museum. Among the few surviving such artifacts, these exquisite objects include two masks, a shield, a knife, a helmet, a double-headed serpent, a mosaic on a human skull, a jaguar, and an animal head. They all originate from the Mixtec and Aztec civilizations first encountered by Europeans during the Spanish conquest in the early sixteenth century. The mosaics have long excited admiration for their masterful blend of technical skill and artistry and fascination regarding their association with ritual and ceremony. Only recently though, have scientific investigations undertaken by the British Museum dramatically advanced knowledge of the mosaics by characterizing, for the first time, the variety of natural materials that were used to create them.

    Illustrated with more than 160 color images, this book describes the recent scientific findings about the mosaics in detail, revealing them to be rich repositories of information about ancient Mexico. The materials used to construct the mosaics demonstrate their makers’ deep knowledge of the natural world and its resources. The effort that would have been involved in procuring the materials testifies to the mosaics’ value and significance in a society imbued with myths and religious beliefs. The British Museum’s analyses have provided evidence of the way that the materials were prepared and assembled, the tools used, and the choices that were made by artisans. In addition, by drawing on historical accounts including early codices, as well as recent archaeological discoveries, specialists have learned more about the place of the mosaics in ancient Mexican culture.

    Filled with information about the religion, art, and natural and cultural history as well as the extraordinary ability of modern science to enable detailed insight into past eras, Turquoise Mosaics from Mexico offers an overview of the production, utilization, and eventual fate of these beautiful and mysterious objects.

    About The Author(s)

    Colin McEwan is an archaeologist and head of the Americas section at the British Museum.

    Andrew Middleton is a mineralogist at the British Museum.

    Caroline Cartwright specializes in the identification of wood, fiber, and shell as a scientist at the British Museum

    Rebecca Stacey is an expert in the characterization of resins, waxes, and gums at the British Museum.
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