List of Illustrations  ix

Acknowledgments  xi

Introduction  1

Part I. Time  9

1. Is Modernity Multiple?  11

2. Do We Still Need a Renaissance?  23

3. Contemporaneity's Heterochronicity  37

Part II. History  51

4. Visual Studies and the Iconic Turn  53

5. Bruegel's Crows  77

6. Mimesis and Iconoclasm  107

7. Impossible Distance  139

Conclusion  173

Bibliography  177

Index  199

"This is a beautiful and thoughtful book on the fundamental meanings of time in art historical writing. Keith Moxey is open to the radical possibility that the encounter with the artwork, as distinct from the interpretation of that work, might not so much reveal the object's historical time as mute it, bringing the viewer and the art into a domain of plenary experience, and an awareness of historical blindness, that are only distantly and problematically compatible with the traditional interests of the discipline of art history."—James Elkins, author of What Photography Is

"The time is out of joint for art history and image studies more generally. Keith Moxey's Visual Time makes this traditional curse into a blessing for scholars who want to rethink the nature of historical temporality and free it from the monotony of homogeneous empty time. Moxey shows that history (and no doubt memory as well) is deeply anachronistic in structure, and that images and works of art play a central role in revealing the multiple, disjunctive temporalities we inhabit, not only as art historians, but as subjects of human experience. Moxey's book will be required reading for anyone interested in thinking about images of and in time."—W. J. T. Mitchell, author of Seeing Through Race and editor of the journal Critical Inquiry

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