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  • What We Made

    Author(s): Tom Finkelpearl
    Published: 2013
    Pages: 416
    Illustrations: 91 illustrations
    Sales/Territorial Rights: World
  • Cloth: $99.95 - In Stock
    978-0-8223-5284-6
  • Paperback: $26.95 - In Stock
    978-0-8223-5289-1
Online ordering is currently unavailable. To order, email orders@dukeupress.edu or call 888-651-0122 (US) or 1-919-688-5134 (international) between 7:30 am and 5:30 pm EST.
  • Preface  ix
    1. Introduction  
    The Art of Social Cooperation: An American Framework  1
    2. Cooperation Goes Public  
    Consequences of a Gesture and 100 Victoria/10,000 Tears  51
    Interview: Daniel Joseph Martinez, artist, and Gregg M. Horowitz, philosophy professor  
    Chicago Urban Ecology Action Group  76
    Follow-Up Interview: Naomi Beckwith, participant  
    3. Museum, Education, Cooperation  
    Memory of Surfaces  90
    Interview: Ernesto Pujol, artist, and David Henry, museum educator  
    4. Overview  
    Temporary Coaltions, Mobilized Communities, and Dialogue as Art  114
    Interview: Grant Kester, art historian  
    5. Social Vision and a Cooperative Community  
    Project Row Houses  132
    Interview: Rick Lowe, artist, and Mark Stern, professor of social history and urban studies  
    6. Participation, Planning, and a Cooperative Film  
    Blot Out the Sun  152
    Interview: Harrell Fletcher, artist, and Ethan Seltzer, professor of urban studies and planning  
    Ride Out the Sun  174
    Follow-up Interview: Jay Dykeman, collaborator  
    7. Education Art  
    Catedra Arte del Conducta  179
    Interview: Tania Bruguera, artist  
    Catedra de Conducta  
    Follow-up Interview: Claire Bishop, art historian  
    8. A Political Alphabet  219
    Interview: Wendy Ewald, artist, and Sondra Farganis, political scientist  
    9. Crossing Borders  
    Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks  240
    Interview: Pedro Lasch, artist, and Teddy Cruz, architect  
    10. Spirituality and Cooperation  
    Unburning Freedom Hall and The Packer School Project  269
    Interview: Brett Cook, artist, and Mierle Laderman Ukeles, artist  
    The Seer Project  301
    Interview: Lee Mingwei, artist  
    11. Interactive Internet Communication  
    White Glove Tracking  313
    Interview: Evan Roth, artist  
    White Glove Tracking  335
    Follow-up Interview: Jonah Peretti, contagious media pioneer  
    Conclusion: Pragmatism and Social Cooperation  343
    Notes  363
    Bibliography  373
    Index  381
  • “These conversations by key practitioners and thinkers are a snapshot of thinking around the emergence of social and collaborative art, which seeks to improve society and address social issues. Finkelpearl ably situates collaborative and participatory art within the chronology of American art history.” — Toro Castaño, Library Journal

    "What What We Made does, perhaps better than anything I’ve read so far about this particular kind of art, is utterly refrain from arriving at singular summaries or judgments. Instead, the conversations foreground the nuanced and complex social relations tied up in any artwork, but particularly collaborative artwork that draws on communities operating largely outside of the arts marketplace. And the projects Finkelpearl has chosen to discuss and feature by and large demonstrate real possibilities for genuine exchange across networks and communities." — Alexis Clements, Hyperallergic

    What We Made is a good sourcebook of art that tackles  politics through participation and collaboration. The  author’s introduction provides a useful overview of the situation in contemporary America. . . .” — Sally O’Reilly, Art Monthly

    “This book gracefully dives headfirst into a seriously murky topic, using accessible language that, thankfully, doesn’t read like a textbook.” — Kirstin Wiegmann, Public Art Review

    “There’s much to admire in [Finkelpearl’s] approach and his commitment—whether it’s authoring a book whose structure abides by the ideals it sets forth or that he puts his ideas into action.” — Anne K. Yoder, Public Journal

    What We Made brings together the stars of the social practice world Rick Lowe, Tania Bruguera, Mierle Laderman Ukeles, Harrell Fletcher, and more in conversations with urban planners, educators, and each other, to create a fluid and interdisciplinary dialogue about social practice and its complicated, beautiful and necessary implications in the world.” — Katie Bachler, The Art Book Review

    “An insightful examination of artistic projects that strive to involve people in participatory practices. . . . What We Made perceptively documents work that often is misunderstood within traditional arts structures.”  — Maureen Mullinax, Visual Studies

    “Finkelpearl has provided his readers with a rich description of a particular, influential movement in the art museum world. This book illustrates his own commitment to social collaboration. By presenting the conversations that make up the core of this volume, he brings this aspect of the art museum world to a larger public.” — George E. Hein, Curator

    What We Made’s strength is derived from its vibrant conversations, balancing the voices of such well-known artists as Tania Bruguera, Rick Lowe, Mierle Laderman Ukeles, along with urban planners, educators, philosophers, political scientists, and participants. . . . Finkelpearl’s dialogue-based approach represents the dynamic and generative character of cooperative art.” — Sierra Rooney, Public Art Dialogue

    “... [T]hose willing to situate themselves as imagined critical participants in Finkelpearl’s case studies––to envisage the creative possibility of ‘I’ giving way to ‘we’––are rewarded with an expanded appreciation of social practice art. Concluding with a rumination on the theory of progressive pragmatist John Dewey, What We Made makes a powerful bid for readers to ‘get out’ of themselves.” — Nicola Mann, Invisible Culture

    Reviews

  • “These conversations by key practitioners and thinkers are a snapshot of thinking around the emergence of social and collaborative art, which seeks to improve society and address social issues. Finkelpearl ably situates collaborative and participatory art within the chronology of American art history.” — Toro Castaño, Library Journal

    "What What We Made does, perhaps better than anything I’ve read so far about this particular kind of art, is utterly refrain from arriving at singular summaries or judgments. Instead, the conversations foreground the nuanced and complex social relations tied up in any artwork, but particularly collaborative artwork that draws on communities operating largely outside of the arts marketplace. And the projects Finkelpearl has chosen to discuss and feature by and large demonstrate real possibilities for genuine exchange across networks and communities." — Alexis Clements, Hyperallergic

    What We Made is a good sourcebook of art that tackles  politics through participation and collaboration. The  author’s introduction provides a useful overview of the situation in contemporary America. . . .” — Sally O’Reilly, Art Monthly

    “This book gracefully dives headfirst into a seriously murky topic, using accessible language that, thankfully, doesn’t read like a textbook.” — Kirstin Wiegmann, Public Art Review

    “There’s much to admire in [Finkelpearl’s] approach and his commitment—whether it’s authoring a book whose structure abides by the ideals it sets forth or that he puts his ideas into action.” — Anne K. Yoder, Public Journal

    What We Made brings together the stars of the social practice world Rick Lowe, Tania Bruguera, Mierle Laderman Ukeles, Harrell Fletcher, and more in conversations with urban planners, educators, and each other, to create a fluid and interdisciplinary dialogue about social practice and its complicated, beautiful and necessary implications in the world.” — Katie Bachler, The Art Book Review

    “An insightful examination of artistic projects that strive to involve people in participatory practices. . . . What We Made perceptively documents work that often is misunderstood within traditional arts structures.”  — Maureen Mullinax, Visual Studies

    “Finkelpearl has provided his readers with a rich description of a particular, influential movement in the art museum world. This book illustrates his own commitment to social collaboration. By presenting the conversations that make up the core of this volume, he brings this aspect of the art museum world to a larger public.” — George E. Hein, Curator

    What We Made’s strength is derived from its vibrant conversations, balancing the voices of such well-known artists as Tania Bruguera, Rick Lowe, Mierle Laderman Ukeles, along with urban planners, educators, philosophers, political scientists, and participants. . . . Finkelpearl’s dialogue-based approach represents the dynamic and generative character of cooperative art.” — Sierra Rooney, Public Art Dialogue

    “... [T]hose willing to situate themselves as imagined critical participants in Finkelpearl’s case studies––to envisage the creative possibility of ‘I’ giving way to ‘we’––are rewarded with an expanded appreciation of social practice art. Concluding with a rumination on the theory of progressive pragmatist John Dewey, What We Made makes a powerful bid for readers to ‘get out’ of themselves.” — Nicola Mann, Invisible Culture

  • "What We Made is a dialogical thick description of cooperative art practices from the point of view of practitioners and many insightful interlocutors. It will be an extremely valuable resource for artists, art historians, and museum professionals." — Rebecca Zorach, author of The Passionate Triangle

    "In between histories, current art practices, and theories lies the conundrum: how to describe relational and public art and the many intentions of those involved. Tom Finkelpearl gives us perspectives from artists' on-the-ground experiences and a welcome revisiting of Dewey, contextualized by a sweeping introduction that alone is worth the price of the book." — Suzanne Lacy, author of Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007

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  • Description

    In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.

    Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern

    About The Author(s)

    Tom Finkelpearl is Executive Director of the Queens Museum of Art. He is the author of Dialogues in Public Art.

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