A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion."
In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.
Touching Feeling: Affect, Pedagogy, Performativity
Eve Kosofsky Sedgwick
208 pages (December 2002)
1 figure, 1 photo
Eve Kosofsky Sedgwick
208 pages (December 2002)
1 figure, 1 photo
Cloth - $74.95 | 0-8223-3028-8 |
| [ISBN13 978-0-8223-3028-8] | |
Paperback - $21.95 | 0-8223-3015-6 |
| [ISBN13 978-0-8223-3015-8] | |
“Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that ’thought’ has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure.”—Wayne Koestenbaum, author of Andy Warhol“Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech—aesthetic, bodily, affective—is its real topic.”—Lauren Berlant, author of The Queen of America Goes to Washington City
Eve Kosofsky Sedgwick is Distinguished Professor of English at the CUNY Graduate Center. She is the author of numerous books including A Dialogue on Love and Epistemology of the Closet. Her books Tendencies; Fat Art, Thin Art, a book of poetry; Novel Gazing: Queer Readings in Fiction; and Shame and Its Sisters: A Silvan Tomkins Reader (coedited with Adam Frank) are published by Duke University Press.
Table of Contents
Acknowledgments
Introduction
Interlude, Pedagogic
1. Shame, Theatricality, and Queer Performativity: Henry James’s The Art of the Novel
2. Around the Performative: Periperformative Vicinities in Nineteenth-Century Narrative
3. Shame in the Cybernetic Fold: Reading Silvan Tomkins (Written with Adam Frank)
4. Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You
5. Pedagogy of Buddhism
Works Cited
Index
Acknowledgments
Introduction
Interlude, Pedagogic
1. Shame, Theatricality, and Queer Performativity: Henry James’s The Art of the Novel
2. Around the Performative: Periperformative Vicinities in Nineteenth-Century Narrative
3. Shame in the Cybernetic Fold: Reading Silvan Tomkins (Written with Adam Frank)
4. Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You
5. Pedagogy of Buddhism
Works Cited
Index
Related subjects:
Gay & Lesbian Studies/Queer Theory
Literary Studies, Criticism & Theory
Cultural Studies