In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getúlio Vargas (1883–1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state’s power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade—an intangible yet highly coveted sense of Brazilianness.
Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil’s cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today’s generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era.
By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.

Daryle Williams is Associate Professor of History at the University of Maryland.

Winner, 2002 John Edwin Fagg Prize
   American Historical Association

  

  

  

Table of Contents

List of Figures
List of Tables
List of Abbreviations
Preface
Acknowledgments

Introduction: The Brazilian Republic, Getúlio Vargas, and Metaphors of War

1. The Vargas Era and Culture Wars

2. Cultural Management before 1930

3. Cultural Management, 1930–1945

4. “The Identity Documents of the Brazilian Nation”: The National Historical and Artistic Patrimony

5. Museums and Memory

6. Expositions and “Export Quality” Culture

Conclusion: Who Won? National Culture Under Vargas

Biographical Appendix
Notes
Bibliography
Index