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1. Up Front–Erika Munk and Tom Sellar
2. The Threepenny Songs: Cabaret and the Lyrical Gestus–Peter W. Ferran
3. Royal Palace: A Translator’s Note–Jonathan Eaton
4. Royal Palace, Music by Kurt Weill, libretto by Iwan Gull–translated by Jonathan Eaton
5. On Die Bürgschaft: Director’s Notes–Jonathan Eaton
6. Die Bürgschaft [The Pledge]: An Opera in Three Acts, Music by Kurt Weill, libretto by Caspar Neher and Kurt Weill–translated by Jonathan Eaton
7. Die Bürgschaft, or “Brecht ohne Brecht”–Michael Evenden
8. Kurt Weill’s American Dreams–Kim H. Kowalke
9. The Eternal Road and Kurt Weill’s German, Jewish, and American Identity–Kim H. Kowalke, Jürgen Schebera, Christian Kuhnt, and Alexander Ringer
10. Either a German or a Jew: The German Reception of Kurt Weill’s Der Weg der Verbeifsung–Tamara Levitz
11. From Myth to Monograph: Weill Scholarship, Fifty Years After–Bruce D. McClung
12. The Eternal Road at the Brooklyn Academy of Music–Gordon Rogoff
13. Four Plays by Dawn Powell–Catherine Sheehy
14. Spectacular Suffering: Theatre, Fascism, and the Holocaust–Elinor Fuchs
15. Theatre, Court, and City, 1595–1610: Drama and Social Space in London–
16. Classical Greek Theatre: New Views of an Old Subject–
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