1. Up Front–Erika Munk and Tom Sellar

2. The Threepenny Songs: Cabaret and the Lyrical Gestus–Peter W. Ferran

3. Royal Palace: A Translator’s Note–Jonathan Eaton

4. Royal Palace, Music by Kurt Weill, libretto by Iwan Gull–translated by Jonathan Eaton

5. On Die Bürgschaft: Director’s Notes–Jonathan Eaton

6. Die Bürgschaft [The Pledge]: An Opera in Three Acts, Music by Kurt Weill, libretto by Caspar Neher and Kurt Weill–translated by Jonathan Eaton

7. Die Bürgschaft, or “Brecht ohne Brecht”–Michael Evenden

8. Kurt Weill’s American Dreams–Kim H. Kowalke

9. The Eternal Road and Kurt Weill’s German, Jewish, and American Identity–Kim H. Kowalke, Jürgen Schebera, Christian Kuhnt, and Alexander Ringer

10. Either a German or a Jew: The German Reception of Kurt Weill’s Der Weg der Verbeifsung–Tamara Levitz

11. From Myth to Monograph: Weill Scholarship, Fifty Years After–Bruce D. McClung

Productions

12. The Eternal Road at the Brooklyn Academy of Music–Gordon Rogoff

Books

13. Four Plays by Dawn Powell–Catherine Sheehy

14. Spectacular Suffering: Theatre, Fascism, and the Holocaust–Elinor Fuchs

15. Theatre, Court, and City, 1595–1610: Drama and Social Space in London–

Joseph Roach

16. Classical Greek Theatre: New Views of an Old Subject–

Andrew Szegedy-Maszak

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