• Cloth: $99.95 - Not In Stock
    978-0-8223-6891-5
  • Paperback: $28.95 - Not In Stock
    978-0-8223-6899-1
  • Acknowledgments  vii
    Introduction  1
    Part I. Infrastructures
    1. Video Documentary and Rural Public Culture in Ethnic China / Jenny Chio  35
    2. EngageMedia: The Gado Gado Tactics of Indonesia's New Social Media / Patricia R. Zimmerman  54
    3. Wei dianying and Xiao quexing: Technologies of "Small" and Trans-Chinese Cinematic Practices / Chia-chi Wu  72
    4. Converging Contents and Platforms: Niconico Video and Japan's Media-Mix Ecology / Marc Steinberg  91
    5. In Access: Digital Video and the User / Nishant Shah  114
    Part II. Intimacies
    6. MicroSD-ing "Mewati Videos": Circulation and Regulation of a Subaltern-Popular Media Culture / Rahul Mukherjee and Abhigyan Singh  133
    7. Documenting "Immigrant Brides" in Multicultural Taiwan / Tzu-hui Celina Hung  158
    8. Bollywood Banned and the Electrifying Palmasutra: The Sensory Politics of Love and Pornography in Northern Nigeria / Conerly Casey  176
    9. The Asianization of Heimat: Ming Wong's Asian German Video Works / Feng-Mei Heberer  198
    Part III. Speculations
    10. Politics in the Age of YouTube: Degraded Images and Small-Screen Revolutions / S. V. Srinivas  217
    11. Pop Cosmopolitics and K-pop Video Culture / Michelle Cho  240
    12. Videation: Technological Intimacy and the Politics of Global Connection / Joshua Neves  266
    13. Staying Alive: Imphal's HIV/AIDS Video Culture / Bishnupriya Ghosh  288
    14. "Everyone's Property": Video Copying, Poetry, and Revolution in Arab West Asia / Kay Dickinson  307
    Bibliography  327
    Contributors  349
    Index
  • Conerly Casey

    Jenny Chio

    Michelle Cho

    Kay Dickinson

    Bishnupriya Ghosh

    Feng-Mei Heberer

    Rahul Mukherjee

    Abhigyan Singh

    Nishant Shah

    S. Srinivas

    Marc Steinberg

    Chia-chi Wu

    Patricia Zimmermann

    Tzu-hui Celina Hung

  • "Asian Video Cultures addresses a glaring omission in contemporary Western film and media scholarship in such a rich and imaginative way that it will give the book lasting significance as a fundamental reference across media studies. Featuring rich, thought-provoking essays and a major, agenda-setting introduction, this is a milestone collection." — Meaghan Morris, coeditor of Gender, Media, and Modernity in the Asia-Pacific

    "Asian Video Cultures addresses the continent as an always-emerging formation, rather than just a region. By doing so, it is able to mount a series of powerful, ethnographically grounded theoretical provocations on contemporary media culture. We revisit ideas of participation and the public, the status of mediation in the bioinformatic world, globalization, and work. This outstanding collection helps us put into perspective the overly North American debate on digital media." — Ravi Sundaram, author of Pirate Modernity: Delhiā€™s Media Urbanism

  • Permission to Photocopy (coursepacks)

    If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;

    If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).

    Permission to Reprint

    If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).

    Images/Art

    Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
    For book covers to accompany reviews, please contact the publicity department.

    Subsidiary Rights/Foreign Translations

    If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.

    Disability Requests

    Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

    Rights & Permissions Contact Information

    Email: permissions@dukeupress.edu
    Email contact for coursepacks: asstpermissions@dukeupress.edu
    Fax: 919-688-4574
    Mail:
    Duke University Press
    Rights and Permissions
    905 W. Main Street
    Suite 18B
    Durham, NC 27701

    For all requests please include:
    1. Author's name. If book has an editor that is different from the article author, include editor's name also.
    2. Title of the journal article or book chapter and title of journal or title of book
    3. Page numbers (if excerpting, provide specifics)
    For coursepacks, please also note: The number of copies requested, the school and professor requesting
    For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought
  • Description

    The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, Kpop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood films in Nigeria, the essays trace the myriad ways Asian video reshapes media politics and aesthetic practices. While many influential commentators overlook, denounce, and trivialize Asian video, the contributors show how it belongs to the shifting core of contemporary global media, thereby moving conversations about Asian media beyond static East-West imaginaries, residual Cold War mentalities, triumphalist declarations about resurgent Asias, and budding jingoisms. In so doing, they write Asia's vibrant media practices into the mainstream of global media and cultural theories while challenging and complicating hegemonic ideas about the global as well as digital media.

    Contributors. Conerly Casey, Jenny Chio, Michelle Cho, Kay Dickinson, Bishnupriya Ghosh, Feng-Mei Heberer, Tzu-hui Celina Hung, Rahul Mukherjee, Joshua Neves, Bhaskar Sarkar, Nishant Shah, Abhigyan Singh, SV Srinivas, Marc Steinberg, Chia-chi Wu, Patricia Zimmerman

    About The Author(s)

    Joshua Neves is Assistant Professor of Film Studies and Canada Research Chair at the Mel Hoppenheim School of Cinema at Concordia University.

    Bhaskar Sarkar is Associate Professor of Film and Media Studies at the University of California, Santa Barbara, and the author of Mourning the Nation: Indian Cinema in the Wake of Partition, also published by Duke University Press.
Explore More
Share

Create a reading list or add to an existing list. Sign-in or register now to continue.


Contact Us

  • Duke University Press
  • 905 W. Main St. Ste 18-B
  • Durham, NC 27701
  • U.S. phone (toll-free): 888-651-0122
  • International: 1-919-688-5134
  • orders@dukeupress.edu