The study of violence has often focused on the political and economic conditions under which violence is generated, the suffering of victims, and the psychology of its interpersonal dynamics. Less familiar are the role of perpetrators, their motivations, and the social conditions under which they are able to operate. In the context of postcolonial state building and more latterly the collapse and implosion of society, community violence, state repression, and the phenomena of judicial inquiries in the aftermath of civil conflict, there is a need to better comprehend the role of those who actually do the work of violence—torturers, assassins, and terrorists—as much as the role of those who suffer its consequences. When atrocity and murder take place, they feed the world of the iconic imagination that transcends reality and its rational articulation; but in doing so imagination can bring further violent realities into being. This series encourages authors who build on traditional disciplines and break out of their constraints and boundaries, incorporating media and performance studies and literary and cultural studies as much as anthropology, sociology, and history.
The series is no longer active and we are not seeking submissions.