Camera Obscura

Feminism, Culture, and Media Studies 

Camera Obscura

For Authors

For information on how to submit an article, visit submission guidelines.

Journal Current volume: 34 Frequency: Three issues annually
Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies. The journal encourages contributions in areas such as the conjunctions of gender, race, class, and sexuality with audiovisual culture; new histories and theories of film, television, video, and digital media; and politically engaged approaches to a range of media practices.

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Editors Back to Top

Editorial Office:
Camera Obscura
Department of Film and Media Studies
University of California, Santa Barbara
Santa Barbara, CA 93106-4010
805-893-7069
805-893-8630 (fax)
cameraobscura@filmandmedia.ucsb.edu

Editors:
Lalitha Gopalan, University of Texas at Austin
Lynne Joyrich, Brown University
Homay King, Bryn Mawr College
Bliss Cua Lim, University of California, Irvine
Constance Penley, University of California, Santa Barbara
Tess Takahashi, York University
Patricia White, Swarthmore College
Sharon Willis, University of Rochester

Managing Editor:
Chip Badley

Editorial Assistants:
Rachael Ball
Brian Huser
Sarah Lerner

Advisory Editors:
Paula Amad
Aubrey Anable
Joanne Bernardi
Shohini Chaudhuri
Michelle Cho
Rey Chow
Wendy Hui Kyong Chun
Mary Desjardins
Mary Ann Doane
Rosa-Linda Fregoso
Bishnupriya Ghosh
Jennifer González
Elena Gorfinkel
Roger Hallas
Amelie Hastie
Jennifer Horne
Dina Iordanova
Ana López
Yosefa Loshitzky
Kathleen McHugh
Mandy Merck
Meaghan Morris
Frances Negrón-Muntaner
Kathleen Newman
Lisa Parks
B. Ruby Rich
Ella Shohat
Janet Staiger
Sasha Torres
Mimi White

For AuthorsBack to Top

Camera Obscura seeks essays (approximately 25–30 pages or 6,500–9,000 words, including endnotes) that engage with current academic and popular discourses in feminism, culture, and media studies. The journal encourages contributions in areas such as the conjunctions of gender, race, class, and sexuality with audiovisual culture; new histories and theories of film, television, video, and digital media; and politically engaged approaches to a range of media practices. We encourage potential contributors to browse recent issues of the journal for examples of the types of scholarship we currently seek.

Camera Obscura is also interested in short pieces (750–2,500 words) on current media practices, practitioners, resources, events, or issues for the section "In Practice: Feminism/Culture/Media." The editors encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contributions and open submissions, with the intention of enriching dialogue between feminist media scholarship and the practices—production, distribution, exhibition, organizing, curating, archiving, research, etc.—that sustain it.

Please submit an electronic copy of the manuscript (as a Microsoft Word e-mail attachment) with a cover letter to the managing editor at cameraobscura@filmandmedia.ucsb.edu. Manuscripts should be double-spaced and use endnotes. Authors should declare all sources of funding (if applicable) in the cover letter. Camera Obscura's documentation style follows The Chicago Manual of Style, 17th ed., chap. 14.

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Indexed/abstracted in the following: Academic OneFile, Academic Search Alumni Edition, Academic Search Complete, Academic Search Elite, Academic Search Premier, Advanced Placement Fine Arts and Music, Advanced Placement Source, Alternative Press Index (Online), Art & Architecture Complete, Art & Architecture Index, Art & Architecture Source, Art Abstracts (H.W. Wilson), Art Index (H.W. Wilson), Art, Design & Architecture Collection, ARTbibliographies Modern, Selective, ArticleFirst, Arts & Humanities Citation Index, Arts Premium Collection, Bibliography of Asian Studies (Online), Biography Index: Past and Present (H.W. Wilson), Contemporary Women's Issues - Gale, Contemporary Women's Issues - OCLC, Current Abstracts, Current Contents, Dietrich's Index Philosophicus, Electronic Collections Online, Expanded Academic ASAP, Feminist Periodicals (Online), FIAF Databases (Federation Internationale des Archives du Film), FIAF International Index to Film Periodicals (Federation Internationale des Archives du Film), Film & Television Literature Index, Film & Television Literature Index with Full Text, Fine Arts and Music Collection, Gender Studies Database, GenderWatch, General OneFile, General Reference Center Gold, Humanities Index (Online, Ann Arbor), Core, Humanities International Complete, Humanities International Index, Humanities Source, Humanities Source Ultimate, IBZ - Internationale Bibliographie der Geistes- und Sozialwissenschaftlichen Zeitschriftenliteratur, InfoTrac Custom, International Bibliography of Theatre & Dance with Full Text, Internationale Bibliographie der Rezensionen Geistes- und Sozialwissenschaftlicher Literatur, MLA International Bibliography (Modern Language Association) - EBSCO, MLA International Bibliography (Modern Language Association) - Gale, MLA International Bibliography (Modern Language Association) - ProQuest, Music & Performing Arts Collection, Performing Arts Periodicals Database, Poetry & Short Story Reference Center, Pop Culture Collection, Professional ProQuest Central, ProQuest 5000, ProQuest Central, Research Library, Scopus, TOC Premier (Table of Contents), Ulrichsweb, Web of Science, Women's Studies International
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Closing Dates
September 2019 (34:2) - Closes 06/28/2019
December 2019 (34:3) - Closes 09/24/2019

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  1. Go to read.dukeupress.edu/my-account/register. (Please ignore the message "Already have a Duke University Press account?" if your previous account was created before November 20, 2017.)

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Additional InformationBack to Top
ISSN: 0270-5346
e-ISSN: 1529-1510
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