1. Guest Editors' Introduction—Frank Salomon and Sabine Hyland
2. Reading Anishinaabe Identities: Meaning and Metaphor in Nindoodem Pictographs—Heidi Bohaker.
3. The Pragmatics of Language Learning: Graphic Pluralism on Martha's Vineyard, 1660-1720—Kathleen J. Bragdon
4. Three Texts in One: Book XII of the Florentine Codex—Kevin Terraciano
5. Zapotec Time, Alphabetic Writing, and the Public Sphere—David Tavárez
6. Writing as Resistance: Maya Graphic Pluralism and Indigenous Elite Strategies for Survival in Colonial Yucatan, 1550-1750—John F. Chuchiak, IV
7. Indigenous American Polygraphy and the Dialogic Model of Media—Galen Brokaw
8. Numeral Graphic Pluralism in the Colonial Andes—Gary Urton
9. Sodomy, Sin, and String Writing: The Moral Origins of Andean Khipu—Sabine Hyland
10. Reflections on What Writing Means, Beyond What It "Says": The Political Economy and Semiotics of Graphic Pluralism in the Americas—Margaret Bender