Henry Cow

The World Is a Problem

Henry Cow

Book Pages: 520 Illustrations: 63 illustrations Published: September 2019

Author: Benjamin Piekut

Subjects
Cultural Studies, Music, Theater and Performance

In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band’s rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world.

Praise

“What was it all about, to me? Thinking. Henry Cow really thought about the why, the what, the appropriate methods of making music. Their riveting music was the sound of thinking out loud: Henry Cow seemed to be asking ‘so, what is the significance of these sounds in our heads?’ And they were always witty: just look at the name of the band, and the unwearable sock representing ‘the Henry Cow legend.’ I am very glad this book exists. Henry Cow’s history—in all its inevitable turbulence—tells an inspiring story.” — Robert Wyatt

“In this landmark monograph, Benjamin Piekut offers a stunning new theoretical framework for writing the history of ‘adventurous’ music in the late twentieth century, realizing that theory in practice by replicating in his graceful prose the improvised relation to the world he seeks to illuminate. Through his gripping account of the band Henry Cow, he reconstructs the cultural space of what he calls the ‘vernacular avant-garde,’ where musicians learn from records rather than in institutions, live uncertainty, cross genres, improvise responses to novel situations, work with and against record companies, and embrace avant-gardism without negation. It is rare to finish a monumental monograph with a gasp. A must-read intervention and instant classic!” — Tamara Levitz, Professor of Musicology and Comparative Literature, University of California Los Angeles

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Author/Editor Bios Back to Top

Benjamin Piekut is Associate Professor of Music at Cornell University, author of Experimentalism Otherwise: The New York Avant-garde and Its Limits, and editor of Tomorrow is the Question: New Directions in Experimental Music Studies.

Table of Contents Back to Top
Preface  vii
Acknowledgments  xi
Introduction. Feral Experimentalism  1
1. You Can't Play This Music at Cambridge | 1968–73  29
2. Faust and the Virgins | 1973  76
3. Contentment Is Hopelessness, Unrest Is Progress | 1974  119
4. Death to the Individual: Slapp Happy | 1974–75  157
5. Europa | 1975–76  199
6. The Roads Leading to Rome | 1976–77  242
7. No Joy Anymore | London 1977  293
8. Henry Cow Always Had to Be Henry Cow | 1978  345
Afterword. The Vernacular Avant-Garde  387
Notes  409
Bibliography  455
Index
Sales/Territorial Rights: World

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Additional InformationBack to Top
Paper ISBN: 978-1-4780-0466-0 / Cloth ISBN: 978-1-4780-0405-9
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