Sign up for new title announcements and special offers.
1. Up Front–Erika Munk
2. The Game of Expression under Pinochet: Four Theater Stories–Joanne Pottlitzer (introduction), Raúl Osorio, Ramón Griffero, José Manuel Salcedo, David Benavente (interviews)
3. Staging Reconciliation: The Arab-Hebrew Theater of Jaffa Makes a Model–Igal Ezraty, interviewed by Alisa Solomon
4. The Awkward Age: New York’s New Experimental Theater–Shawn-Marie Garrett
5. Showy Lady Slipper–Richard Maxwell
6. A BAMdialogue–Lisa D’Amour, Melissa James Gibson, Melissa Kievman, and Katie Pearl
Rethinking Our Field: A Forum
7. Choices Made and Unmade–David Savran
8. Responses to Choices Made and Unmade–Joseph Roach, Janelle Reinelt, Barbara Kirschenblatt-Gimblett, Marvin Carlson, Elin Diamond, Jill Dolan
9. A Response to the Responses–David Savran
10. Reclaiming Space, Reclaiming Happiness: A Report from Buenos Aires–Ruth Juliet Wikler
11. Amazing Grace: Rinde Eckert's And God Created Great Whales and An Idiot Divine–Tom Sellar
12. The Game's All Here–Alexis G. Soloski
13. A Molière Museum: Long Wharf Theatre's The Bungler–Jonathan Shandell
14. Infernal Circles of the History Machine: Eastern European Theater after the Iron Curtain, edited by Kalina Stefanova, English-style editor Ann Waugh–Daniel Gerould
15. Gesamtkunstwerk: Modern Czech Theatre: Reflector and Conscience of a Nation by Jarka M. Burian–Thomas Ort
16. Stage Fright: Shakespeare's Language by Frank Kermode–Charles McNulty
If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;
If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).
If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).
Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to email@example.com.
For book covers to accompany reviews, please contact the publicity department.
If you're interested in a Duke University Press book for subsidiary rights/translations, please contact firstname.lastname@example.org. Include the book title/author, rights sought, and estimated print run.
Instructions for requesting an electronic text on behalf of a student with disabilities are available here.
This issue of Theater brings together a collection of new theater that, while dealing with a wide range of topics, is united by a commitment to inventiveness and intellectual integrity. One piece included here addresses the challenges faced by Chilean artists working under the shadow of Pinochet; another explores a model Truth and Reconciliation Commission put together by the Arab-Hebrew Theater of Java. From there the issue moves to New York’s experimental theater and includes a dialogue held at the Brooklyn Academy of Music on the future of the genre. A scholar’s forum considers the meaning of activist and experimental theater, and the issue is rounded out with a series of reviews of current productions.
Sign up for Subject Matters email updates to receive discounts, new book announcements, and more.