positions 20:4

An issue of: positions

positions 20:4
Journal Issue Pages: 276 Volume 20, Number 4 Published: Fall 2012 An issue of positions

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Editor's Introduction–Tani Barlow

The Palimpsest Body and the S(h)ifting Border: On Maggie Cheung's Two Crossover Films–Yiman Wang

The Suppressed in the Modern Urbanscape: Cultural Difference and Film in Singapore–C. J. W.-L. Wee

A Unique Tradition of Materialism in Japan: Osugi Sakae, Tosaka Jun, and Uno Kozo–Katsuhiko Endo

Oriental Purity: Postcolonial Discomfort and Asian Values–Daniel P. S. Goh

The Modern Girl and the Vamp: Hollywood Film in Tanizaki Jun'ichirô's Early Novels–Deborah Shamoon

The Horrific and the Exemplary: Public Stories and Education Reform in Late Socialist China–Teresa Kuan

Rossella Ferrari–The Avant-Garde Is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre

Imagining Irreconcilability: Cultural Differentiation through Human-Animal Relations in Late Qing Shanghai–Mark Swislocki

Strange Nuptials: Matthew Barney's Japan in Drawing Restraint 9–Nancy Stalker

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