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  • Public Privates: Performing Gynecology from Both Ends of the Speculum

    Author(s):
    Pages: 232
    Illustrations: 34 b&w photographs
    Sales/Territorial Rights: World
  • Cloth: $94.95 - In Stock
    978-0-8223-1928-3
  • Paperback: $24.95 - In Stock
    978-0-8223-1921-4
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  • “Terri Kapsalis brings her critical insight as a performer, health educator, and scholar to bear on the speculum in Public Privates. . . . [A]n interesting example of scholarship that crosses the boundaries between history, cultural theory, performance analysis, and critical medical knowledge.”

    Reviews

  • “Terri Kapsalis brings her critical insight as a performer, health educator, and scholar to bear on the speculum in Public Privates. . . . [A]n interesting example of scholarship that crosses the boundaries between history, cultural theory, performance analysis, and critical medical knowledge.”

  • “Health educator, performer, and scholar Terri Kapsalis gives us a series of brilliantly performed readings of gynecology’s complex private and public lives in medical texts, history books, clinics, popular film, and performance art. More than just cultural critique, Public Privates is a feminist guide to locating our own agency as active performers in the multilayered practices and discourses devoted to women’s sexual and reproductive health.” — Lisa Cartwright, author of, Screening the Body

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  • Description

    In Public Privates, a book about looking and being looked at, about speculums, spectacles, and spectators, about display, illumination, and reflection, Terri Kapsalis makes visible the practices and representations of gynecology. The quintessential examination of women, gynecology is not simply the study of women’s bodies, but also serves to define and constitute them. Any critical analysis of gynecology is therefore, as Kapsalis affirms, an investigation of what it means to be female. In this respect she considers the public exposure of female "privates" in the performance of the pelvic exam.
    From J. Marion Sims’s surgical experiments on unanesthetized slave women in the mid-nineteenth century, to the use of cadavers and prostitutes to teach medical students gynecological techniques, Kapsalis focuses on the ways in which women and their bodies have been treated by the medical establishment. Removing gynecology from its private cover within clinic walls and medical textbook pages, she decodes the gynecological exam, seizing on its performative dimension. She considers traditional medical practices and the dynamics of "proper" patient performance; non-traditional practices such as cervical self-exam; and incarnations of the pelvic examination outside the bounds of medicine, including its appearance in David Cronenberg’s film Dead Ringers and Annie Sprinkle’s performance piece "Public Cervix Announcement."
    Confounding the boundaries that separate medicine, art, and pornography, revealing the potent cultural attitudes and anxieties about women, female bodies, and female sexuality that permeate the practice of gynecology, Public Privates concludes by locating a venue from which challenging, alternative performances may be staged.

    About The Author(s)

    Terri Kapsalis is a performer and health educator. Her writings have appeared in Lusitania, New Foundations, Public, and the Drama Review, among other publications. She has taught in medical schools as a gynecology teaching associate and is currently teaching in the Department of Performance Studies at Northwestern University.

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