Articles
Stuart Hall at Eighty– David Scott
Parricidal Son: The Murder of Cassia Rivulet and the Collapse of Postcolonial Time– Glenn A. Elmer Griffin
Between Plot and Plantation, Trespass and Transgression: Caribbean Migratory Disobedience in Fiction and Internet Traffic– Curdella Forbes
Violent Liaisons: Historical Crossings and the Negotiation of Sex, Sexuality, and Race in The Book of Night Women and The True History of Paradise– Sam Vásquez
Reading Edward Baugh Reading
The West Indian Writer and His Quarrel with History– Edward Baugh
All Friends Now? Critical Conversations, West Indian Literature, and the “Quarrel with History”– Alison Donnell
Too Much History, or Not Enough– Laurence A. Breiner
Contexts, Criticism, and Quarrels: A Reflection on Edward Baugh's “The West Indian Writer and His Quarrel with History”– Nadi Edwards
Reflections on “The Quarrel with History”– Edward Baugh
Visual Life of Catastrophic History
The Of 72 Project– Ebony G. Patterson
The Interior Life of Painting: Lebenswelt and Subjectivity in the Work of Roberta Stoddart– Gabrielle A. Hezekiah
Literary Competition Winners 2011: Poetry
Infidelities– Sonia Farmer
Moulting Season– Danielle McShine
Literary Competition Winners 2011: Short Fiction
Ghost Story– Barbara Jenkins
The Iridescent Blue-Black Boy with Wings (After Márquez)– H. N. Holder
Book Discussion: Kobena Mercer, ed., Cosmopolitan Modernisms; Discrepant Abstraction; Pop Art and Vernacular Cultures; and Exiles, Diasporas, and Strangers; from the series Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts
The Difficulties of Naming White Things– Eddie Chambers
Feasting on Scraps– Huey Copeland
Art History and the Dialogics of Diaspora– Kobena Mercer
Contributors
Contributors