• The Difference Aesthetics Makes: On the Humanities “After Man”

    Author(s):
    Pages: 200
    Illustrations: 2 illustrations
    Sales/Territorial Rights: World
  • Cloth: $89.95 - Not In Stock
    978-1-4780-0070-9
  • Paperback: $23.95 - Not In Stock
    978-1-4780-0092-1
  • Preface
    Introduction. The Difference Aesthetics Makes
    1. Knowledge under cover
    2. Pedagogies of Liberal Humanism
    3. Making Sense Otherwise
    4. Mis/Taken Universals
    Conclusion. On the Humanities After Man
    Postscript
    Notes
    Bibliography
    Index
  • The Difference Aesthetics Makes reconsiders the centrality of aesthetics to the humanities, and elaborates an aesthetics of ‘illiberal’ humanism that emerges from relations of difference, not identity, from dissensus, not consensus. This timely and significant book will be of crucial importance for readers in English, American studies, ethnic studies, anthropology, art history, and beyond.” — Lisa Lowe, author of, The Intimacies of Four Continents

    “Reading various texts to demonstrate how minority literature presents itself as the productive other to dominant articulations of the aesthetic, Kandice Chuh makes significant interventions in inquiries around the relationship between politics and aesthetics, the humanities as a site of critical alternatives, and the role that minority discourse plays in those inquiries. An exciting and ambitious book.” — Roderick A. Ferguson, author of, One-Dimensional Queer

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  • Description

    In The Difference Aesthetics Makes cultural critic Kandice Chuh asks what the humanities might be and do if organized around what she calls “illiberal humanism,” instead of the Western European tradition of liberal humanism that undergirds the humanities in their received form.  Recognizing that the liberal humanities contribute to the reproduction of the subjugation that accompanies the definition of the human according to liberalism, Chuh argues that instead of defending the humanities as widely called for in recent years, they need to be radically remade. Chuh proposes that the work of artists and writers like Lan Samantha Chang, Carrie Mae Weems, Langston Hughes, Leslie Marmon Silko, Allan deSouza, Monique Truong, and others, bring to bear ways of being and knowing that delegitimize liberal humanism in favor of more robust, capacious, and worldly senses of the human and the humanities. Chuh presents the aesthetics of illiberal humanism as vital to the creation of sensibilities and worlds capable of making life and lives flourish.

    About The Author(s)

    Kandice Chuh is Professor of English and American Studies at The Graduate Center, City University of New York, author of Imagine Otherwise: On Asian Americanist Critique, and coeditor of Orientations: Mapping Studies in the Asian Diaspora, both also published by Duke University Press.
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