Acknowledgments  ix

Flip the Beat: An Introduction  1

1. Sonic Fictions  31

2. The Serious Work of Karaoke  56

3. Jessica Hagedorn's Gangster Routes  87

4. Pinoise Rock  123

Epilogue: Rakenrol Itineraries  155

Notes  187

Bibliography  207

Index  219

"Balance offers a sharp and compelling analysis of musical scenes. She fleshes out the theoretical, methodological and political potential and possibilities of performance and spotlights how Filipinos in the diaspora engage in performances that 'produce new affiliations, politics, and ways of thinking.'"  — Antonio T. Tiongson, Jr., Sojourn

"Balance’s book is a major contribution to a flowering of contemporary scholarship on the Filipino diaspora and musical performance.  . . . From DJing and karaoke to performance art and indie Pinoise rock, Balance’s book draws out the rich implications of such musical scenes, and in doing so, shows how Filipino America has been made, and made uniquely meaningful, through music." — Victor Bascara, Pacific Affairs

"With her careful survey of ethnographic texts and implicit use of ethnographic research techniques, Balance sets a new standard for accounts of popular music culture in performance studies." — Neal Matherne, Ethnomusicology

"In her carefully structured book, Balance introduces a fresh example of historical writing . . . shar[ing] her innovative disobedient listening experiences that give voice to the marginalized underground Filipino performers in both the Philippines and the United States." — Jui-Ching Wang, Pacific Historical Review

"Tropical Renditions makes a worthwhile contribution to the ongoing negotiations over what can be considered constitutive of cultural, ethnic and/or national labels." — Jared Mackley-Crump, Perfect Beat

"Tropical Renditions offers a script from which to begin rehearsing a multiscalar phonography of place, race, and music that is . . . relentlessly and productively disobedient." — Anjeline de Dios, Southeast Asian Studies

"Balance offers a sharp and compelling analysis of musical scenes. She fleshes out the theoretical, methodological and political potential and possibilities of performance and spotlights how Filipinos in the diaspora engage in performances that 'produce new affiliations, politics, and ways of thinking.'"  —Antonio T. Tiongson, Jr., Sojourn

"Balance’s book is a major contribution to a flowering of contemporary scholarship on the Filipino diaspora and musical performance.  . . . From DJing and karaoke to performance art and indie Pinoise rock, Balance’s book draws out the rich implications of such musical scenes, and in doing so, shows how Filipino America has been made, and made uniquely meaningful, through music." —Victor Bascara, Pacific Affairs

"With her careful survey of ethnographic texts and implicit use of ethnographic research techniques, Balance sets a new standard for accounts of popular music culture in performance studies." —Neal Matherne, Ethnomusicology

"In her carefully structured book, Balance introduces a fresh example of historical writing . . . shar[ing] her innovative disobedient listening experiences that give voice to the marginalized underground Filipino performers in both the Philippines and the United States." —Jui-Ching Wang, Pacific Historical Review

"Tropical Renditions makes a worthwhile contribution to the ongoing negotiations over what can be considered constitutive of cultural, ethnic and/or national labels." —Jared Mackley-Crump, Perfect Beat

"Tropical Renditions offers a script from which to begin rehearsing a multiscalar phonography of place, race, and music that is . . . relentlessly and productively disobedient." —Anjeline de Dios, Southeast Asian Studies

"In this stunningly refreshing take on the musicological and performative dimensions of Filipino American historical and cultural experiences, Christine Bacareza Balance makes intricate and superb sonic connections between seemingly separate realms such as colonialism, migration, youth culture, leisure, and labor. Standing alone in its incisive cultural critique and superb interpretive readings of a culture and a people spanning thousands of miles, Tropical Renditions makes a pioneering contribution to Asian American studies and performance studies." — Martin F. Manalansan IV, author of, Global Divas: Filipino Gay Men in the Diaspora

"Tropical Renditions is an ambitious and exhilarating study that beckons us to listen carefully to the underground sound of Filipino and Filipino American 'translocal' cultures. Christine Bacareza Balance takes her readers to a range of sonic 'scenes' in the Filipino diaspora—from karaoke house parties to Pinoy indie rock shows to the experimental performance spaces of Jessica Hagedorn and the West Coast Gangster Choir, in turn showcasing an insurgent musicality that speaks back to and, in many ways, sings through and against the long roll of imperial violence. Like a radical postcolonial mixtape, Balance’s book captures the urgency of Filipino identity in sonic motion." — Daphne A. Brooks, author of, Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910

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