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  • Visible Histories, Disappearing Women: Producing Muslim Womanhood in Late Colonial Bengal

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    Pages: 352
    Sales/Territorial Rights: World
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    978-0-8223-4215-1
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    978-0-8223-4234-2
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  • Acknowledgments ix

    Introduction: Writing Difference 1

    1. The Colonial Cast: The Merchant, the Soldier, the "Writer" (Clerk), Their Lovers, and the Trouble with "Native Women's" Histories 27

    2. The Politics of (In)visibility: Muslim Women in (Hindu) Nationalist Discourse 48

    3. Negotiating Modernity: The Social Production of Muslim-ness in Late Colonial Bengal 78

    4. Difference in Memory 133

    Conclusion: Connections 196

    Notes 205

    Bibliography 287

    Index 331
  • “[M]ahua Sarkar’s project . . . marks indeed a welcome and important intervention in postcolonial Indian historiography.”

    “By engaging with existing scholarship, Sarkar draws eclectically on a range of disciplines: sociology, anthropology, history, feminist and gender studies. The book represents historical sociology at its cutting edge by bringing intellectual history into the post-colonial present.”

    “Mahua Sarkar’s . . . original and stimulating study. . . . Sarkar also seeks to enlarge notions of women’s ‘agency’ beyond those privileged by liberal feminists.”

    “Seeking to correct erstwhile celebratory representations of Muslim women, Visible Histories neither extols the virtues of Muslim womanhood in the late colonial period of Bengal, nor does it seek to redress for their untold stories. Visible Histories’ contribution to colonial historiography is more nuanced.”

    Reviews

  • “[M]ahua Sarkar’s project . . . marks indeed a welcome and important intervention in postcolonial Indian historiography.”

    “By engaging with existing scholarship, Sarkar draws eclectically on a range of disciplines: sociology, anthropology, history, feminist and gender studies. The book represents historical sociology at its cutting edge by bringing intellectual history into the post-colonial present.”

    “Mahua Sarkar’s . . . original and stimulating study. . . . Sarkar also seeks to enlarge notions of women’s ‘agency’ beyond those privileged by liberal feminists.”

    “Seeking to correct erstwhile celebratory representations of Muslim women, Visible Histories neither extols the virtues of Muslim womanhood in the late colonial period of Bengal, nor does it seek to redress for their untold stories. Visible Histories’ contribution to colonial historiography is more nuanced.”

  • Visible Histories, Disappearing Women is an analytically insightful, genuinely original work that breaks new ground in South Asian history, gender and women’s studies, postcolonial theory, and historical sociology. One of its strengths is Mahua Sarkar’s insistence that history as a discipline and feminism as a politics have disappeared the Muslim woman as a subject.” — Antoinette Burton, editor of, Archive Stories: Facts, Fictions, and the Writing of History

    “Mahua Sarkar’s insightful study of Bengali Muslim women’s writings and oral testimonies is not a simple project of reclaiming the history of marginalized subjects. The point of her thoughtful and penetrating analysis is to illuminate the structures of representation—in both official histories and popular memories—that produce the specific ways in which the figure of the Muslim woman becomes visible. Sarkar exposes the nation-centered focus and the liberal-feminist politics that have shaped the specific marginalization of Muslim women in accounts of late colonial Bengal. Hers is ultimately a passionate and nuanced call for a re-orientation of existing scholarship with far-reaching implications for the contours both of historiography and of contemporary politics.” — Mrinalini Sinha, author of, Specters of Mother India: The Global Restructuring of an Empire

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  • Description

    In Visible Histories, Disappearing Women, Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marginalized than Hindu women in nationalist discourse and subsequent historical accounts. She also considers how their near-invisibility except as victims has underpinned the construction of the ideal citizen-subject in late colonial India. Through critical engagements with significant feminist and postcolonial scholarship, Sarkar maps out when and where Muslim women enter into the written history of colonial Bengal. She argues that the nation-centeredness of history as a discipline and the intellectual politics of liberal feminism have together contributed to the production of Muslim women as the oppressed, mute, and invisible “other” of the normative modern Indian subject.

    Drawing on extensive archival research and oral histories of Muslim women who lived in Calcutta and Dhaka in the first half of the twentieth century, Sarkar traces Muslim women as they surface and disappear in colonial, Hindu nationalist, and liberal Muslim writings, as well as in the memories of Muslim women themselves. The oral accounts provide both a rich source of information about the social fabric of urban Bengal during the final years of colonial rule and a glimpse of the kind of negotiations with stereotypes that even relatively privileged, middle-class Muslim women are still frequently obliged to make in India today. Sarkar concludes with some reflections on the complex links between past constructions of Muslim women, current representations, and the violence against them in contemporary India.

    About The Author(s)

    Mahua Sarkar is Associate Professor of Sociology and a faculty member of the Women’s Studies and Asian and Asian-American Studies programs at Binghamton University.

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