• Cloth: $104.95 - In Stock
    978-0-8223-4128-4
  • Paperback: $28.95 - In Stock
    978-0-8223-4153-6
  • Quantity
  • Add To Bag
  • Acknowledgments ix
    Introduction 1
    1. Imagined Immunities: The Epidemiology of Belonging 29
    2. The Healthy Carrier: "Typhoid Mary" and Social Being 68
    3. Communicable Americanism: Social Contagion and Urban Spaces 114
    4. Viral Cultures: Microbes and Politics in the Cold War 157
    5. "The Columbus of AIDS": The Invention of "Patient Zero" 213
    Epilogue 264
    Notes 271
    Works Cited 323
    Index 353

  • “Contagious is an informative, enjoyable, and well-researched interdisciplinary work that bridges literary analysis with medical history and goes a long way in explaining our fascination with outbreak narratives. The numerous popular narratives in television and film act as more than examples; they are important ways in which the outbreak narrative establishes a cultural foothold in popular imagination.”

    “[Contagious] is brimming with intriguing and thoughtful analysis. . . . [I]t has profoundly influenced how I interpret the disease process in both my own patients and our society.”

    “[S]uperb. . . . A model of impressive broadbased interdisciplinary research that draws on popular culture (the novel, film, science journalism, and hygiene manuals), sociology and information theory, bacteriology and virology, and the history of public health, Wald’s book traces with great clarity the complex cultural logic of what she calls the “outbreak narrative” across the long twentieth century.”

    “[T]he thesis involving the outbreak narrative is interesting, and readers intrigued by the influence of epidemiology on emerging infections as well as its broader implications to society and the world will find this book worthwhile.”

    “It is unlikely that Wald’s cultural critique with its plethora of examples from novels and films offers the kind of data that can alter America’s medical landscape, but thoughtful physicians, nurses, and public health workers who do encounter her book will never battle an ‘outbreak’ without pondering how it might give rise to yet new cultural expressions, symbols, and social relationships.”

    “Priscilla Wald's book affirms how the critic's attention to narrative and rhetorical patterns yields far-ranging social insights, as it articulates the ways cultural representations of epidemics have shaped notions of American national community from the late nineteenth century to the present. . . . By pushing the social possibilities of cultural criticism, Contagious is an object lesson in thinking about our own critical practices and theoretical concepts, and how we might reorient and revitalize them.”

    “The book is extremely well written. . . . It is a good book that has given me a new perspective on the outbreak narrative.”

    “The outbreak narrative is powerful but malleable, and Wald’s significant scholarship traces cultural histories of contagion heretofore underexplored, demonstrating their centrality to more familiar American studies and cultural studies concerns. In doing so, she creates a framework in which we can think about, and beyond, the stories of illness that shape living and dying on this earth.”

    “This book captures the fascinating, complicated, and powerful conventions of the mythico-medical story of disease, global networks, and social transformation through which disease emergence are generally understood.”

    “Wald demonstrates how our narrative tradition has been pervaded by our understandings of disease, and its potential. What emerges is a thorough revision of disease itself that can take into account the variety of social, cultural, economic, political, racial, and geographical factors that shape its transmission, development, and management. . . . Highly recommended to readers of cultural studies and science studies.”

    “Wald does a remarkable job in this book of integrating science, culture, elements of myth and story—all while carefully keeping everything in historical context.”

    “Wald has made a substantial contribution in terms of uniting theoretical insights from such fields as mythology, literature, and film studies, and applying them to the history of infectious disease epidemiology. In doing so, she makes a strong case for the importance of both the cultural critic and of interdisciplinary thinking in the preparation for future outbreaks of global disease.”

    “Wald is at her best when probing the literary and historical roots of today’s conventions, homing in on particular moments in the past. She is superb, for instance, in recalling how an immigrant Irish cook named Mary Mallon was deemed a typhoid carrier, recast as the notorious Typhoid Mary, and banished to an island off the Bronx.”

    “Wald powerfully shows not only that narrative is, in effect, the essence of epidemiology, but also that all people in every aspect of their lives make sense of the world through unarticulated structures of narrative. Articulating them, as she has done, shines a bright light outward on a scary world of shadowy threats and inward on ourselves.”

    “Wald shows how the spread of information about disease can affect economies and behaviors, triggering market crashes and creating stigmas. She warns against our tendency to conveniently correlate disease with factors other than poverty and neglect, thus absolving ourselves of social responsibility. Understanding the outbreak narrative, she hopes, will teach us to evaluate the stories we tell ourselves with a critical eye, and perhaps wage a better, more humane war on contagion."

    “Wald’s study . . . provides a compelling understanding of the subconscious emotional responses to an outbreak, and should provide an enlightening read for any care provider.”

    "Wald describes how the circulation of ideas and attitudes about contagious diseases led people to form social groups and eventually social cultures. Her book is filled with an exceptionally thorough review of varied pieces of information from journalism and films, as well as from real-life scientific events, that will help readers glean perspectives of how disease and outbreak narratives can shape the way people think about their societies and how they relate to others in the face of danger and infection risks. . . . In our interconnected and borderless world, outbreak narratives can endanger or save us."

    Reviews

  • “Contagious is an informative, enjoyable, and well-researched interdisciplinary work that bridges literary analysis with medical history and goes a long way in explaining our fascination with outbreak narratives. The numerous popular narratives in television and film act as more than examples; they are important ways in which the outbreak narrative establishes a cultural foothold in popular imagination.”

    “[Contagious] is brimming with intriguing and thoughtful analysis. . . . [I]t has profoundly influenced how I interpret the disease process in both my own patients and our society.”

    “[S]uperb. . . . A model of impressive broadbased interdisciplinary research that draws on popular culture (the novel, film, science journalism, and hygiene manuals), sociology and information theory, bacteriology and virology, and the history of public health, Wald’s book traces with great clarity the complex cultural logic of what she calls the “outbreak narrative” across the long twentieth century.”

    “[T]he thesis involving the outbreak narrative is interesting, and readers intrigued by the influence of epidemiology on emerging infections as well as its broader implications to society and the world will find this book worthwhile.”

    “It is unlikely that Wald’s cultural critique with its plethora of examples from novels and films offers the kind of data that can alter America’s medical landscape, but thoughtful physicians, nurses, and public health workers who do encounter her book will never battle an ‘outbreak’ without pondering how it might give rise to yet new cultural expressions, symbols, and social relationships.”

    “Priscilla Wald's book affirms how the critic's attention to narrative and rhetorical patterns yields far-ranging social insights, as it articulates the ways cultural representations of epidemics have shaped notions of American national community from the late nineteenth century to the present. . . . By pushing the social possibilities of cultural criticism, Contagious is an object lesson in thinking about our own critical practices and theoretical concepts, and how we might reorient and revitalize them.”

    “The book is extremely well written. . . . It is a good book that has given me a new perspective on the outbreak narrative.”

    “The outbreak narrative is powerful but malleable, and Wald’s significant scholarship traces cultural histories of contagion heretofore underexplored, demonstrating their centrality to more familiar American studies and cultural studies concerns. In doing so, she creates a framework in which we can think about, and beyond, the stories of illness that shape living and dying on this earth.”

    “This book captures the fascinating, complicated, and powerful conventions of the mythico-medical story of disease, global networks, and social transformation through which disease emergence are generally understood.”

    “Wald demonstrates how our narrative tradition has been pervaded by our understandings of disease, and its potential. What emerges is a thorough revision of disease itself that can take into account the variety of social, cultural, economic, political, racial, and geographical factors that shape its transmission, development, and management. . . . Highly recommended to readers of cultural studies and science studies.”

    “Wald does a remarkable job in this book of integrating science, culture, elements of myth and story—all while carefully keeping everything in historical context.”

    “Wald has made a substantial contribution in terms of uniting theoretical insights from such fields as mythology, literature, and film studies, and applying them to the history of infectious disease epidemiology. In doing so, she makes a strong case for the importance of both the cultural critic and of interdisciplinary thinking in the preparation for future outbreaks of global disease.”

    “Wald is at her best when probing the literary and historical roots of today’s conventions, homing in on particular moments in the past. She is superb, for instance, in recalling how an immigrant Irish cook named Mary Mallon was deemed a typhoid carrier, recast as the notorious Typhoid Mary, and banished to an island off the Bronx.”

    “Wald powerfully shows not only that narrative is, in effect, the essence of epidemiology, but also that all people in every aspect of their lives make sense of the world through unarticulated structures of narrative. Articulating them, as she has done, shines a bright light outward on a scary world of shadowy threats and inward on ourselves.”

    “Wald shows how the spread of information about disease can affect economies and behaviors, triggering market crashes and creating stigmas. She warns against our tendency to conveniently correlate disease with factors other than poverty and neglect, thus absolving ourselves of social responsibility. Understanding the outbreak narrative, she hopes, will teach us to evaluate the stories we tell ourselves with a critical eye, and perhaps wage a better, more humane war on contagion."

    “Wald’s study . . . provides a compelling understanding of the subconscious emotional responses to an outbreak, and should provide an enlightening read for any care provider.”

    "Wald describes how the circulation of ideas and attitudes about contagious diseases led people to form social groups and eventually social cultures. Her book is filled with an exceptionally thorough review of varied pieces of information from journalism and films, as well as from real-life scientific events, that will help readers glean perspectives of how disease and outbreak narratives can shape the way people think about their societies and how they relate to others in the face of danger and infection risks. . . . In our interconnected and borderless world, outbreak narratives can endanger or save us."

  • “Contagious is a magnificent book, notable for its prose, its expansiveness, its courage, and its creativity.” — Rita Charon, founder of the Program in Narrative Medicine, Columbia University Medical Center

    “Priscilla Wald stunningly demonstrates how epidemics are forms of cultural autobiography, telescoping stories of outbreak and contagion that are reflected in our myths, symbols, archetypes, and social networks. Beautifully written and passionately argued, Contagious is required reading for those interested in learning how our diseases shape the ways we think about ourselves and our relationships and how our desires to be close to other people overlap with our anxieties about being infected by them.” — Jonathan Michel Metzl, author of, Prozac on the Couch: Prescribing Gender in the Era of Wonder Drugs

    “Rippling across the span of the twentieth century, Priscilla Wald’s book traces the trajectories of ‘outbreak narratives,’ stories about the spread and conquest of contagious diseases. With beautifully crafted prose, Wald shows how the scientific and fictional, social and microbial intermingle as outbreak narratives confront an essential paradox, that human connectedness both imperils and saves us. Contagious is essential reading for science studies, for the field of literature and medicine, and indeed for anyone interested in the social, discursive, and cultural implications of epidemiology.” — N. Katherine Hayles, University of California, Los Angeles

  • Permission to Photocopy (coursepacks)

    If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;

    If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).

    Permission to Reprint

    If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).

    Images/Art

    Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
    For book covers to accompany reviews, please contact the publicity department.

    Subsidiary Rights/Foreign Translations

    If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.

    Disability Requests

    Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

    Rights & Permissions Contact Information

    Email: permissions@dukeupress.edu
    Email contact for coursepacks: asstpermissions@dukeupress.edu
    Fax: 919-688-4574
    Mail:
    Duke University Press
    Rights and Permissions
    905 W. Main Street
    Suite 18B
    Durham, NC 27701

    For all requests please include:
    1. Author's name. If book has an editor that is different from the article author, include editor's name also.
    2. Title of the journal article or book chapter and title of journal or title of book
    3. Page numbers (if excerpting, provide specifics)
    For coursepacks, please also note: The number of copies requested, the school and professor requesting
    For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought

  • Description

    How should we understand the fear and fascination elicited by the accounts of communicable disease outbreaks that proliferated, following the emergence of HIV, in scientific publications and the mainstream media? The repetition of particular characters, images, and story lines—of Patients Zero and superspreaders, hot zones and tenacious microbes—produced a formulaic narrative as they circulated through the media and were amplified in popular fiction and film. The “outbreak narrative” begins with the identification of an emerging infection, follows it through the global networks of contact and contagion, and ends with the epidemiological work that contains it. Priscilla Wald argues that we need to understand the appeal and persistence of the outbreak narrative because the stories we tell about disease emergence have consequences. As they disseminate information, they affect survival rates and contagion routes. They upset economies. They promote or mitigate the stigmatizing of individuals, groups, locales, behaviors, and lifestyles.

    Wald traces how changing ideas about disease emergence and social interaction coalesced in the outbreak narrative. She returns to the early years of microbiology—to the identification of microbes and “Typhoid Mary,” the first known healthy human carrier of typhoid in the United States—to highlight the intertwined production of sociological theories of group formation (“social contagion”) and medical theories of bacteriological infection at the turn of the twentieth century. Following the evolution of these ideas, Wald shows how they were affected by—or reflected in—the advent of virology, Cold War ideas about “alien” infiltration, science-fiction stories of brainwashing and body snatchers, and the HIV/AIDS pandemic. Contagious is a cautionary tale about how the stories we tell circumscribe our thinking about global health and human interactions as the world imagines—or refuses to imagine—the next Great Plague.

    About The Author(s)

    Priscilla Wald is Professor of English at Duke University. She is the author of Constituting Americans: Cultural Anxiety and Narrative Form and the editor of the journal American Literature, both also published by Duke University Press.

Explore More
Share

TELL A FRIEND

ADD TO A READING LIST

Create a reading list or add to an existing list. Sign-in or register now to continue.


About

Help

Information For

Connect

Contact Us

  • Duke University Press
  • 905 W. Main St. Ste 18-B
  • Durham, NC 27701
  • U.S. phone (toll-free): 888-651-0122
  • International: 1-919-688-5134
  • orders@dukeupress.edu