• How Soon Is Now?: Medieval Texts, Amateur Readers, and the Queerness of Time

    Author(s): Carolyn Dinshaw
    Published: 2012
    Pages: 272
    Illustrations: 7 illustrations
    Sales/Territorial Rights: World
  • Cloth: $84.95 - In Stock
    978-0-8223-5353-9
  • Paperback: $23.95 - In Stock
    978-0-8223-5367-6
  • Quantity
  • Add To Bag
  • Preface ix

    Acknowledgments xvii

    Introduction. How Soon Is Now? 1

    1. Asynchrony Stories: Monks, Kings, Sleepers, and Other Time Travelers 41

    2. Temporally Oriented: The Book of John Mandeville, British India, Philology, and the Postcolonial Medievalist 73

    3. In the Now: Margery Kempe, Hope Emily Allen, and Me 105

    4. Out of Sync in the Catskills: Rip van Winkle, Geoffrey Crayon, James I, and Other Ghosts 129

    Epilogue. The Lay of the Land: Amateur Medievalism and Queer Love in A Canterbury Tale 153

    Notes 171

    Bibliography 223

    Index 245
  • “Readers of Christianity and Literature, both professional and amateur, who have an interest in temporality, medieval studies, queer theory, or medievalisms, will find reading this book a valuable and singularly pleasurable use of their time.” — Rebecca Dark, Christianity and Literature

    “Carolyn Dinshaw’s third full-length monograph demands attention from those who do contemporary queer studies and medieval literary studies alike, and from those trying to figure out a less-alienated relationship to academic work in an increasingly corporatized university. . . . This book is clearly a labor of love while also an argument for falling in love with queer studies all over again.” — Masha Raskolnikov, GLQ

    How Soon Is Now? is scholarly, eminently readable, and insightful. Creative in its structure and wide in its ambit, Dinshaw’s long-awaited book cogently argues that the now we inhabit is denser with possibility than we have imagined—and that medieval writers as well as their amateur readers have known this conjunctive truth for a long time. The book is required reading for anyone interested in the intersections among history, community, textuality, sexuality, writing, dreaming, loving—that is, for anyone who cares about the humanities today.” — Jeffrey Jerome Cohen, Clio

    “[D]elightfully original and thoughtful…Highly recommended.” — C.S. Cox, Choice

    “Dinshaw has written a delightful book that takes pleasure in its subject; both professional and nonprofessional readers could enjoy and learn from it. . . . Because How Soon Is Now? argues that there is no fundamental distinction between amateur and professional, it welcomes both categories of reader into the book and into the field of medieval studies.” — Andrea Lankin, Journal of Medieval Religious Cultures

    “Carolyn Dinshaw’s How Soon Is Now?, titled after the Smiths’ song, is part philosophy, part history, and part literary analysis, but its greatest value is to queer studies and medievalism. Her professed goal is ‘to claim the possibility of a fuller, denser, more crowded now … This means fostering temporalities other than the narrowly sequential. This means taking seriously lives lived in other kinds of time’ (p. 3).” — Anna Wallace, Parergon

    "[An] inspiring meditation on the nature of time . . . arguing powerfully for the possibilities opened up by relationships to the past which Dinshaw identifies as queer." — Elizabeth Elliot, Year's Work in English Studies

    How Soon Is Now? balances urgency with careful reflection and offers a model for scholars to achieve the confidence to recognize when ideas need to be developed slowly—because, sometimes, some things, some people, and some ideas are worth the wait.” — Erin Felicia Labbie, Modern Philology

    "Dinshaw weaves backwards and forwards in her pages and footnotes between vast topics— Christianity, encounters with the East, colonialism, literary theories, the history of philology, modern reception of the past, sexualities, and the development of modern academic professionalism." — Helen Phillips, Folklore

    “Dinshaw does succeed in instilling in the reader a sense of the ‘queerness’ of time, and the pervasive asychrony of our reading, our landscapes, and our lives. I came away believing that we are all queers, we are all amateurs, in the ways we desire the past and in the ways we fold multiple times and lives into our own everyday-ness. The pervasive, even insistent presence of the personal in Dinshaw’s writing stakes an ideological claim against what she terms the ‘soulless professionalization of the university.’ This intensely political book shows that it’s okay – even for professionals! – to desire the past, so long as one uses that desire to broaden the possibilities of the present: to attain a ‘more just and more attached nonmodernity.’” — Kathy Cawsey, Mediaevistik

    "In How Soon is Now, the author’s literary inquisitiveness, her ability to create links between very different, heterogeneous concepts, together with her narrative flexibility rooted in a plethora of examples, make for a very creative, dynamic and didactic book."  — Jessica Stephens, Cercles

    Reviews

  • “Readers of Christianity and Literature, both professional and amateur, who have an interest in temporality, medieval studies, queer theory, or medievalisms, will find reading this book a valuable and singularly pleasurable use of their time.” — Rebecca Dark, Christianity and Literature

    “Carolyn Dinshaw’s third full-length monograph demands attention from those who do contemporary queer studies and medieval literary studies alike, and from those trying to figure out a less-alienated relationship to academic work in an increasingly corporatized university. . . . This book is clearly a labor of love while also an argument for falling in love with queer studies all over again.” — Masha Raskolnikov, GLQ

    How Soon Is Now? is scholarly, eminently readable, and insightful. Creative in its structure and wide in its ambit, Dinshaw’s long-awaited book cogently argues that the now we inhabit is denser with possibility than we have imagined—and that medieval writers as well as their amateur readers have known this conjunctive truth for a long time. The book is required reading for anyone interested in the intersections among history, community, textuality, sexuality, writing, dreaming, loving—that is, for anyone who cares about the humanities today.” — Jeffrey Jerome Cohen, Clio

    “[D]elightfully original and thoughtful…Highly recommended.” — C.S. Cox, Choice

    “Dinshaw has written a delightful book that takes pleasure in its subject; both professional and nonprofessional readers could enjoy and learn from it. . . . Because How Soon Is Now? argues that there is no fundamental distinction between amateur and professional, it welcomes both categories of reader into the book and into the field of medieval studies.” — Andrea Lankin, Journal of Medieval Religious Cultures

    “Carolyn Dinshaw’s How Soon Is Now?, titled after the Smiths’ song, is part philosophy, part history, and part literary analysis, but its greatest value is to queer studies and medievalism. Her professed goal is ‘to claim the possibility of a fuller, denser, more crowded now … This means fostering temporalities other than the narrowly sequential. This means taking seriously lives lived in other kinds of time’ (p. 3).” — Anna Wallace, Parergon

    "[An] inspiring meditation on the nature of time . . . arguing powerfully for the possibilities opened up by relationships to the past which Dinshaw identifies as queer." — Elizabeth Elliot, Year's Work in English Studies

    How Soon Is Now? balances urgency with careful reflection and offers a model for scholars to achieve the confidence to recognize when ideas need to be developed slowly—because, sometimes, some things, some people, and some ideas are worth the wait.” — Erin Felicia Labbie, Modern Philology

    "Dinshaw weaves backwards and forwards in her pages and footnotes between vast topics— Christianity, encounters with the East, colonialism, literary theories, the history of philology, modern reception of the past, sexualities, and the development of modern academic professionalism." — Helen Phillips, Folklore

    “Dinshaw does succeed in instilling in the reader a sense of the ‘queerness’ of time, and the pervasive asychrony of our reading, our landscapes, and our lives. I came away believing that we are all queers, we are all amateurs, in the ways we desire the past and in the ways we fold multiple times and lives into our own everyday-ness. The pervasive, even insistent presence of the personal in Dinshaw’s writing stakes an ideological claim against what she terms the ‘soulless professionalization of the university.’ This intensely political book shows that it’s okay – even for professionals! – to desire the past, so long as one uses that desire to broaden the possibilities of the present: to attain a ‘more just and more attached nonmodernity.’” — Kathy Cawsey, Mediaevistik

    "In How Soon is Now, the author’s literary inquisitiveness, her ability to create links between very different, heterogeneous concepts, together with her narrative flexibility rooted in a plethora of examples, make for a very creative, dynamic and didactic book."  — Jessica Stephens, Cercles

  • "Carolyn Dinshaw writes with love, learning, and endless good humor about asynchrony, the amateur, and the complex queerness of both. How Soon Is Now? is full of asynchrony stories, both medieval and modern, stories in which time is out of joint or so full as to be irresolvable into the the narrowly sequential conception of time that remains one of the driving engines of the heteronormative imagination. Rather than rejecting the past or the future, Dinshaw argues for the asynchrony of a now in which the very distinction between past, present, and future becomes impossible to make. In a series of beautiful and moving readings, Dinshaw makes us think about what we love. "I want more life." Who can argue with that simple but extraordinary claim?" — Amy Hollywood, author of Sensible Ecstasy: Mysticism, Sexual Difference, and the Demands of History

    "Entering into an elegant slipstream of generative, generous, rigorous thought, Carolyn Dinshaw proves again her exquisite power to enchant her readers. Uniquely attractive as a theorist of time, she brilliantly addresses a temporal spread, from the seeming irrationality of medieval temporality to modernity's 'stingy' outlook on the senses. As I read How Soon Is Now?, I found her signal emphases—reading, temporality, non-linearity, queer historicity, and medieval mysticism—mattering to me, a queer theorist and non-medievalist, in the novel ways she said they would." — Kathryn Bond Stockton, author of The Queer Child, or Growing Sideways in the Twentieth Century

    "How do queers relate to the distant past and experience time? Carolyn Dinshaw’s answer to this question in How Soon is Now? ranges through astute literary criticism, cogently argued theory, and snippets of autobiography. The result is a provocative essay about the value and presence of the past that is also at times profoundly moving. Her account of the amateur scholar’s privileged relation to asynchrony and affective engagement with the object of study should give all in the academy pause for thought." — Simon Gaunt, author of Love and Death in Medieval French and Occitan Courtly Literature: Martyrs to Love

  • Permission to Photocopy (coursepacks)

    If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright.com;

    If the Copyright Clearance Center cannot grant permission, you may request permission from our Copyrights & Permissions Manager (use Contact Information listed below).

    Permission to Reprint

    If you are requesting permission to reprint DUP material (journal or book selection) in another book or in any other format, contact our Copyrights & Permissions Manager (use Contact Information listed below).

    Images/Art

    Many images/art used in material copyrighted by Duke University Press are controlled, not by the Press, but by the owner of the image. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits. You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions@dukeupress.edu.
    For book covers to accompany reviews, please contact the publicity department.

    Subsidiary Rights/Foreign Translations

    If you're interested in a Duke University Press book for subsidiary rights/translations, please contact permissions@dukeupress.edu. Include the book title/author, rights sought, and estimated print run.

    Disability Requests

    Instructions for requesting an electronic text on behalf of a student with disabilities are available here.

    Rights & Permissions Contact Information

    Email: permissions@dukeupress.edu
    Email contact for coursepacks: asstpermissions@dukeupress.edu
    Fax: 919-688-4574
    Mail:
    Duke University Press
    Rights and Permissions
    905 W. Main Street
    Suite 18B
    Durham, NC 27701

    For all requests please include:
    1. Author's name. If book has an editor that is different from the article author, include editor's name also.
    2. Title of the journal article or book chapter and title of journal or title of book
    3. Page numbers (if excerpting, provide specifics)
    For coursepacks, please also note: The number of copies requested, the school and professor requesting
    For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought
  • Description

    How Soon Is Now? performs a powerful critique of modernist temporal regimes through its revelatory exploration of queer ways of being in time as well as of the potential queerness of time itself. Carolyn Dinshaw focuses on medieval tales of asynchrony and on engagements with these medieval temporal worlds by amateur readers centuries later. In doing so, she illuminates forms of desirous, embodied being that are out of sync with ordinarily linear measurements of everyday life, that involve multiple temporalities, that precipitate out of time altogether. Dinshaw claims the possibility of a fuller, denser, more crowded now that theorists tell us is extant but that often eludes our temporal grasp.

    Whether discussing Victorian men of letters who parodied the Book of John Mandeville, a fictionalized fourteenth-century travel narrative, or Hope Emily Allen, modern coeditor of the early-fifteenth-century Book of Margery Kempe, Dinshaw argues that these and other medievalists outside the academy inhabit different temporalities than modern professionals operating according to the clock. How Soon Is Now? clears space for amateurs, hobbyists, and dabblers who approach medieval worlds from positions of affect and attachment, from desires to build other kinds of worlds. Unruly, untimely, they urge us toward a disorderly and asynchronous collective.

    About The Author(s)

    Carolyn Dinshaw is Professor of English, and Social and Cultural Analysis at New York University. She is the author of Getting Medieval: Sexualities and Communities, Pre- and Postmodern, also published by Duke University Press, and Chaucer's Sexual Poetics. Dinshaw is a founding coeditor of GLQ: A Journal of Lesbian and Gay Studies.

Explore More
Share

Create a reading list or add to an existing list. Sign-in or register now to continue.


Contact Us

  • Duke University Press
  • 905 W. Main St. Ste 18-B
  • Durham, NC 27701
  • U.S. phone (toll-free): 888-651-0122
  • International: 1-919-688-5134
  • orders@dukeupress.edu