Prophets of the Hood
Politics and Poetics in Hip Hop
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This title will be released on November 30, 2004
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Author/Editor Bios
Back to TopImani Perry is a Professor in the Center for African American Studies at Princeton University.
Table Of Contents
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Acknowledgments
ix
Introduction 1
1. Hip Hop's Mama: Originalism and Identity in the Music 9
2. My Mic Sound Nice: Art, Community, and Consciousness 38
3. Stinging Like Tabasco: Structure and Format in Hip Hop Compositions 58
4. The Glorious Outlaw: Hip Hop Narratives, American Law, and the Court of Public Opinion 102
5. B-Boys, Players, and Preachers: Reading Masculinity 117
6. The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women 155
7. Bling Bling…and Going Pop: Consumerism and Co-optation in Hip Hop 191
Notes 205
Index 223
ix
Introduction 1
1. Hip Hop's Mama: Originalism and Identity in the Music 9
2. My Mic Sound Nice: Art, Community, and Consciousness 38
3. Stinging Like Tabasco: Structure and Format in Hip Hop Compositions 58
4. The Glorious Outlaw: Hip Hop Narratives, American Law, and the Court of Public Opinion 102
5. B-Boys, Players, and Preachers: Reading Masculinity 117
6. The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women 155
7. Bling Bling…and Going Pop: Consumerism and Co-optation in Hip Hop 191
Notes 205
Index 223
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Paper ISBN:
978-0-8223-3446-0 /
Hardcover ISBN:
978-0-8223-3435-4 /
eISBN:
978-0-8223-8615-5 /
DOI:
https://doi.org/10.1215/9780822386155
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