Warring Souls

“[Warring Souls] is an excellent ethnographic study and worth recommending for academics as well as laymen interested in post-revolutionary Iranian society, in general, and Iranian youth, in particular.” - Razi Ahmad, Iranian Studies

“A multi-dimensional picture of Iranian youth. In playing the role of observer, participant and academic, Varzi reveals the psychological, philosophical and political facets of the crisis, thereby setting the stage for comprehensive reform.” - Rose Carmen Goldberg, Journal of International Affairs

“[A]n extraordinary book written on many levels by an anthropologist who acts sometimes as a psychologist and sometimes as a sociologist. And when the described reality sounds too harsh for the reader, she balances it with a poetic prose narration.” - Peter Chelkowski, Comparative Studies of South Asia, Africa and the Middle East

“[T]he book is successful as a portrayal of turn-of-the-century Iranian culture. The author’s extension of her studies from urban, secular, middle-class youth to veterans of the Iraq war, the testimonials of martyrs, and films and visual images, as well as to literature and intellectual traditions, give this book both a breadth and a depth not matched by other accounts of contemporary Iran. How to study culture on a national scale, and present the results effectively, have long bedeviled anthropologists. Hence, to have done this so well is no small achievement.” - Patricia J. Higgins, American Anthropologist

“Roxanne Varzi’s Warring Souls is an examination of postrevolutionary Iran, secular urban youth, film, and social space.” - Lori A. Allen, International Journal of Middle East Studies

“This is a well-researched book with a good ethnographic and anthropological methodology. . . . Varzi’s research contributes significantly to the scholarship that attempts to understand postrevolution Iran and the lasting effects of rapid and radical regime change. It is a welcome addition for the students in anthropology, sociology, and contemporary Iranian studies.” - Faegheh Shirazi, H-Net Reviews

“This painstaking study of an emergent Islamic secularism struggling to grow in the space between wars has a terrible poignancy at the present time.” - Vron Ware, Signs

“Varzi’s analysis of Iranian culture and creative application of Western theories bring to the fore mystical, mythological, historical, and sociological characters of Iranian culture and psyche. Her engaging language weaves the dispersed narratives of her subjects with diverse Persian cultural designs, psycho-historical elements, and literary traits into a sophisticated cultural portrait.” - Ali Akbar Mahdi, Middle East Journal

“Warring Souls is the most interesting book analysing youth cultures in post-revolution Iran that I have read. . . . [It] is a tour de force that presents novel theoretical perspectives regarding the influence of the Islamic revolution, the Iran–Iraq War and the media (especially visual media) on today’s urban middle-class youth’s culture, lifestyle and future prospects. . . . Warring Souls is an outstanding addition to the anthropological literature on Iranian youth in a schizophrenic age with lost hopes and paradoxical signals from the leaders of society.” - Firouz Gaini, Social Anthropology

“Warring Souls is an outstanding and nuanced addition to the literature on contemporary Iranian culture, media, and society.” - Hamid Naficy, author of An Accented Cinema: Exilic and Diasporic Filmmaking

“A lovely piece of writing, Warring Souls is one of the first credible accounts of secular Iranians in their twenties, the post-Revolution generation.” - Michael M. J. Fischer, author of Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry

“Inside and outside the pulse of war in Iran, close up and far away, Roxanne Varzi weaves her spell; two parts anthropology, one part poetry and film theory, three parts a soaring imagination and a big heart. How could you not reach out for a book which situates itself at the intersection of religion, vision, and power, asking whether the individual ultimately has the power to turn the image off? A tour de force.” - Michael Taussig, Professor of Anthropology, Columbia University